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Examples of Greek and Pompeian Decorative Work
This hard-to-find study by a Victorian-era architect presents precise and detailed renderings of antiquities from Greece and southern Italy. Scottish artist, architect, and jeweler James Cromar Watt (1862–1940) belonged to the Royal Institute of British Architects. This volume is the product of on-site studies he conducted in 1893 in Athens, Palermo, and Naples. His painstaking drawings, most of them full size, recapture the delicacy and precision characteristic of ancient designs from Greece and southern Italy. The splendid variety of designs includes depictions of geometric patterns on marble floors, ornamented urns, and decorative embellishments in the form of leaves, birds, flowers, faces, and realistic as well as mythological animals. Scenes from Pompeii range from a long view of the Forum and close-ups of its richly embellished pillars to details of the altar from the Temple of Aesculapius and floor patterns from the Temple of Isis. Graphic artists and lovers of antiquities will rejoice in this inexpensive new edition of a rare resource and its wealth of illustrations.
Reconstruction, Replication and Re-enactment in the Humanities and Social Sciences
Performative methods are playing an increasingly prominent role in research into historical production processes, materials, bodily knowledge and sensory skills, and in forms of education and public engagement in classrooms and museums. This book offers, for the first time, sustained, interdisciplinary reflections on performative methods, variously known as Reconstruction, Replication and Re-enactment (RRR) practices across the fields of history of science, archaeology, art history, conservation, musicology and anthropology. Each of these fields has distinct histories, approaches, tools and research questions. Researchers in the historical disciplines have used reconstructions to learn about the materials and practices of the past, while anthropologists and ethnographers have more often studied the re-enactments themselves, participating in these performances as engaged observers. In this book, authors bring their experiences of RRR practices within their discipline into conversation with RRR practices in other disciplines, providing a basis for interdisciplinary cross-fertilization.
Issues in the Conservation of Paintings
This volume on paintings conservation includes more than seventy texts ranging from the fifteenth century to the present day. Some are classic and highly influential writings; others, although little known when first published, in retrospect reflect important themes and issues in the history of the field. Many appear here in English for the first time, including translations of D. Vicente Polero y Toledo's 1855 essay "Arte de la Restauración" (The Art of Restoration), and Victor Bauer-Bolton's treatise from 1914, "Sollen fehlende Stellen bei Gemälden ergänzt werden?" (Should Missing Areas of Paintings Be Made Good?). The book is divided into six sections: An Historical Miscellany History of the Profession Study of Artists' Materials and Techniques Structural Interventions Philosophical and Practical Approaches to Cleaning and Restoration Cleaning Controversies This is the second volume to appear in the Getty Conservation Institute's Readings in Conservation series, which publishes texts considered fundamental to an understanding of the history, philosophies, and methodologies of conservation.
Rembrandt
Rembrandts paintings have been admired throughout centuries because of their artistic freedom. But Rembrandt was also a craftsman whose painting technique was rooted the tradition. Rembrandt—The Painter at Work is the result of a lifelong search for Rembrandt's working methods, his intellectual approach to the art of painting and the way in which his studio functioned. Ernst van de Wetering demonstrates how this knowledge can be used to tackle questions about authenticity and other art-historical issues. Approximately 350 illustrations, half of which are reproduced in colour, make this book into a monumental tribute to one of the worlds most important painters. "The book is—if one may be allowed to say such a thing about a serious scholarly work—a gripping good-read.' Christopher White, The Burlington Magazine "This is a very rich book, a deeply felt analysis of an artist whom the author knows better than almost any other living scholar." Christopher Brown, Times Literary Supplement
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