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The Making of National Gallery Singapore animates the story of the origins and physical transformations of the City Hall and former Supreme Court buildings into National Gallery Singapore. Accompanied by stunning photographs, these chapters flesh out details of the colonial past of the buildings, the conception and organisation of the architectural design competition, and the ambitious ten-year envisioning, design and building process.
Situated in Singapore's two national monuments, the building of National Gallery Singapore balances the need to create a distinct identity for the art spaces with a simultaneous celebration of their architectural, cultural and historical significance. With a distinctive metal and glass canopy roof linking the two monuments, the Gallery's setting has also made it the largest visual arts institution in Singapore. Illustrated by stunning photography of the Gallery's development, this book traces the transformation of these iconic buildings into National Gallery Singapore, teling a story of competition, challenges, preservation and innovation.
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 24. Chapters: Art museums and galleries in Singapore, Art schools in Singapore, Singaporean artists, National Art Gallery of Singapore, Murals in Singapore, Singapore gay art, Chen Wen Hsi, Anthony Poon, Group 90, Chen Chong Swee, ArtScience Museum, 8Q SAM, Singapore Art Museum, Choy Weng Yang, Pop and contemporary fine art, Cheong Soo Pieng, Jewellery Design and Management International School, Mohammad Din Mohammad, Vertical Submarine, Singapore Indian Fine Arts Society, Lim Tze Peng, Charles Andrew Dyce, Singa Merlionus, Nei Xue Tang Museum, Lin Hsin Hsin ...
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Are national galleries different from other kinds of art gallery or museum? What value is there for the nation in a collection of international masterpieces? How are national galleries involved in the construction national art? National Galleries is the first book to undertake a panoramic view of a type of national institution – which are sometimes called national museums of fine art – that is now found in almost every nation on earth. Adopting a richly illustrated, globally inclusive, comparative view, Simon Knell argues that national galleries should not be understood as ‘great galleries’ but as peculiar sites where art is made to perform in acts of nation building. A book that fun...
Published to accompany National Gallery Singapore’s inaugural exhibition Siapa Nama Kamu?, the catalogue stands on the shoulders of giants to present a survey of Singapore art from the 19th century to the present, charting major themes across broad time periods. Over 400 works of art in a wide range of media are brought together to trace the ebb and flow of the history of Singapore art. Curatorial essays provide insight into the exhibition making, as well as examine the geographical confines of Singapore, the parameters of national identity and margins of time.