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The Mughal emperor Akbar had a Sanskrit book called the Dvādas Bhāv translated to Farsi. Dismembered pages or painted folios from this manuscript were dispersed in auctions. This is the first time this book has been put back together and translated into English. The study reveals how the thirtheen paintings that interspersed this text were intrinsic to communicating its meaning. This was not the first or last Sanskrit work to be translated to Farsi or be illustrated for a Muslim monarch in Hindustan. The Mughals (and some of the Sultans before them) recognized the significance of Indian knowledge traditions. This book however, provides insight into what went into such translations. Who decided which text should be translated and what governed the decisions?
In the early modern world, the Safavid, Ottoman, and Mughal empires sprawled across a vast swath of the earth, stretching from the Himalayas to the Indian Ocean to the Mediterranean Sea. The diverse and overlapping literate communities that flourished in these three empires left a lasting legacy on the political, religious, and cultural landscape of the Near East and India. This volume is a comprehensive sourcebook of newly translated texts that shed light on the intertwined histories and cultures of these communities, presenting a wide range of source material spanning literature, philosophy, religion, politics, mysticism, and visual art in thematically organized chapters. Scholarly essays by leading researchers provide historical context for closer analyses of a lesser-known era and a framework for further research and debate. The volume aims to provide a new model for the study and teaching of the region’s early modern history that stands in contrast to the prevailing trend of examining this interconnected past in isolation.
This book considers histories of home from the margins, highlighting the perspectives of displaced, colonised, and disenfranchised groups in imperial and settler colonial contexts.
In the early 1400s, Iranian elites began migrating to the Deccan plateau of southern India. Lured to the region for many reasons, these poets, traders, statesmen, and artists of all kinds left an indelible mark on the Islamic sultanates that ruled the Deccan until the late seventeenth century. The result was the creation of a robust transregional Persianate network linking such distant cities as Bidar and Shiraz, Bijapur and Isfahan, and Golconda and Mashhad. Iran and the Deccan explores the circulation of art, culture, and talent between Iran and the Deccan over a three-hundred-year period. Its interdisciplinary contributions consider the factors that prompted migration, the physical and intellectual poles of connectivity between the two regions, and processes of adaptation and response. Placing the Deccan at the center of Indo-Persian and early modern global history, Iran and the Deccan reveals how mobility, liminality, and cultural translation nuance the traditional methods and boundaries of the humanities.
Focusing on the Deccan Sultanates of 16th- and 17th-century central India, Local States in an Imperial World promotes the idea that some polities of the time were not aspiring to be empires. Instead of the universalist and hierarchical vision typical of the language of empire, the sultanates presented another brand of state - one that prefers negotiation, flexibility and plurality of languages, religions and cultures. Building on theories of early modernity, empire, cosmopolitanism and vernaculars, Roy Fischel considers the components that shaped state and society: people, identities and idioms. He presents a frame for understanding the Deccan Sultanates as a rare case of the early modern non-imperial state, shedding light both on the region and on the imperial world surrounding it.
Every two years the fall issue of The Met's quarterly Bulletin celebrates notable recent acquisitions and gifts to the collection. Highlights of Recent Acquisitions 2022–2024 include the monumental handscroll painting Streams and Mountains without End, a masterwork by the Qing-dynasty painter Wang Yuanqi; the nineteenth century painting Bélizaire and the Frey Children which offers a rare depiction of an identified Black teenager with the children of his enslaver; Helene Schjerfbeck’s The Lace Shawl, which is a layered, dramatic portrait of the artist’s friend and landlady. Meanwhile, Leopoldo Méndez’s linocut depiction of the great Mexican printmaker José Guadalupe Posada expands the already distinguished collection of twentieth-century Mexican graphic arts in the Department of Drawings and Prints. This publication also honors the many generous contributions from donors that make possible the continued growth of The Met collection.
From the seventeenth to nineteenth centuries the patronage of the Rajput rulers of Rajasthan gave rise to a rich profusion of distinctive painting styles, devoted both to the illustration of poetical and religious themes and to royal portraiture and the depiction of court life. The contributors to this book explore various topics of recent research which throw light on the major (and some minor) Rajastahani schools of painting and their social, historical, and religious background. The articles are based on material from a multitute of public and private collections in India and throughout the world, and wall-paintings in situ. Besides chapters on less familiar aspects of local painting styles, essays on individual illustrated manuscripts, and on artists, their families, and patrons are included.
A groundbreaking investigation of the extraordinary art and material culture of the southern provinces of the Byzantine Empire during the momentous 7th to 9th century
The Present Volume Forms Ninth In A Series Of Proceedings Of The Triennial Conference On Early Devotional Literature In New Indo-Aryan Languages. The Proceedings Unite Twenty Contributions Which Reflect Original Research On Bhakti Literature In Non-Sanskrit And Non-Islamicate Traditions And Also The Non-Dravidian. Contributors Include Imre Bangha, Maren Bellwinkel-Schempp, Allison Busch, Winand M. Callewaert, Vasudha Dalmia, Balwant Singh Dhillon, John Stratton Hawley, Rohini Mokashi-Punekar, Ingrid Schumann, Danuta Stasik Among Many Others. (With Dvd).