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African Art at The Met
Published to celebrate the reopening of The Michael C. Rockefeller Wing at The Met, this Bulletin reintroduces the Museum’s collection of art from sub-Saharan Africa. Alisa LaGamma explores more than 40 key works from across the continent and outlines the historical and contextual parameters through which they are displayed. David Pullins and Mamadou Diouf delve into the landmark painting Tabaski III (1970) by Senegalese artist Iba Ndiaye (1928–2008). Inspired by old masters of Europe and West Africa, Ndiaye resisted categorization throughout his career and challenged assumptions about artmaking and identity. Taken together, this volume provides a fascinating discussion of African art and its critical place in global visual culture.
A Primer for Teaching Indian Ocean World History
A Primer for Teaching Indian Ocean World History is a guide for college and high school teachers who are teaching Indian Ocean histories for the first time or for experienced teachers who want to reinvigorate their courses.
The Surface of Things
The first major history of photography from coastal East Africa The ports of the Swahili coast—Zanzibar and Mombasa among them—have long been dynamic centers of trade where diverse peoples, ideas, and materials converge. With the arrival of photography in the mid-nineteenth century, these predominantly Muslim coastal communities cultivated and transformed the medium. The Surface of Things examines the complex maritime dynamics that shaped the photography of coastal Africa, exploring the pleasure and power of beautiful things and the ways people and their pictures transcended the boundaries of the colonial world. Immersing readers in the globally interconnected networks of eastern Africaâ...
World on the Horizon
The multiauthored book accompanying the World on the Horizon exhibition organized by Krannert Art Museum is the first interdisciplinary study of Swahili visual arts and their historically deep and enduring connections to eastern and central Africa, the port towns of the western Indian Ocean, Europe, and the United States. At once exhibition catalogue and scholarly inquiry, the publication features eighteen essays in a mix of formats - personal reflections, object biographies, as well as more in-depth critical treatments - and includes never before published images of works from the National Museums of Kenya and Bait Al Zubair Museum in Oman. By approaching the east African coast as a vibrant...
Recent Acquisitions: A Selection, 2020–2022
Every two years the fall issue of The Met's quarterly Bulletin celebrates notable recent acquisitions and gifts to the collection. Highlights of Recent Acquisitions 2020–2022 include the Mantuan Roundel by Gian Marco Cavalli, a recently rediscovered tour de force from the early Renaissance; the archive of photographer James Van Der Zee, one of the most celebrated chroniclers of Black life in New York City during the Harlem Renaissance; a pair of sculptures by the renowned contemporary American artist Robert Gober; Thomas Sully’s magisterial portrait of Queen Victoria; and Poussin’s Agony in the Garden, one of only two accepted works by the artist in oil on copper. This publication also honors the many generous contributions from donors that make possible the continued growth of The Met collection.
How to Read African Textiles
Historically, handwoven cloth and clothing made across the African continent have been labor-intensive creations deeply embedded in local and regional value systems. These fabrics, frequently adapted to communal and individual needs, serve to clothe the body, divide architectural space, protect physical and spiritual well-being, and convey wealth and authority. This volume in The Met’s acclaimed How to Read series features forty masterworks of African fiber arts, from a dynamic nineteenth-century interior hanging from Sierra Leone to a dreamlike textile canvas by a contemporary Malagasy artist. Authors Christine Giuntini and Jenny Peruski explore the complex histories of production, consumption, and exchange attached to these extraordinary works; contextualize long-standing and recently embraced techniques and materials; and offer readers new ways to appreciate Africa’s diverse textile traditions.
Recent Acquisitions: A Selection, 2022-2024
Every two years the fall issue of The Met's quarterly Bulletin celebrates notable recent acquisitions and gifts to the collection. Highlights of Recent Acquisitions 2022–2024 include the monumental handscroll painting Streams and Mountains without End, a masterwork by the Qing-dynasty painter Wang Yuanqi; the nineteenth century painting Bélizaire and the Frey Children which offers a rare depiction of an identified Black teenager with the children of his enslaver; Helene Schjerfbeck’s The Lace Shawl, which is a layered, dramatic portrait of the artist’s friend and landlady. Meanwhile, Leopoldo Méndez’s linocut depiction of the great Mexican printmaker José Guadalupe Posada expands the already distinguished collection of twentieth-century Mexican graphic arts in the Department of Drawings and Prints. This publication also honors the many generous contributions from donors that make possible the continued growth of The Met collection.
Creative Communities
Urban and regional planners, elected officials, and other decisionmakers are increasingly focused on what makes places livable. Access to the arts inevitably appears high on that list, but knowledge about how culture and the arts can act as a tool of economic development is sadly lacking. This important sector must be considered not only as a source of amenities or pleasant diversions, but also as a wholly integrated part of local economies. Employing original data produced through both quantitative and qualitative research, Creative Communities provides a greater understanding of how art works as an engine for transforming communities. ""Without good data and analysis much of it grounded in...
