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Films like In a Lonely Place, Johnny Guitar, They Live by Night, and most of all Rebel Without a Cause were to ensure cult status for Ray as one of the most revered of all American 'maverick' auteurs. This new edition of Geoff Andrew's unique and acclaimed study of his films discusses Ray's stylistic artistry and abiding thematic concerns, and his work with such legends as James Dean, Humphrey Bogart, James Mason, Joan Crawford and Richard Burton. Above all the book shows how the vivid emotional authenticity of his films, coupled with his special brand of visual expressionism and his eloquently voiced disenchantment with the American Dream, were in established for him a profoundly loyal following in America and Europe that lasts to this day. This new edition, which covers all of Ray's films, includes an updated introduction and fresh reflections on the enduring importance in the 21st century of one of the greatest directors to have worked in Hollywood.
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One of the most original, rebellious, and idiosyncratic directors in the American cinema, Nicholas Ray lived and worked with an intensity equal to that of his films. Best known for his direction of James Dean in Rebel Without a Cause (1955), he is also well regarded for his cult western Johnny Guitar (1954), and such prestigious noir classics as On Dangerous Ground (1951). I Was Interrupted offers a provocative selection of the filmmaker's writings, lectures, interviews, and more. One of the most original, rebellious, and idiosyncratic directors in the American cinema, Nicholas Ray lived and worked with an intensity equal to that of his films. Best known for his direction of James Dean in Rebel Without a Cause (1955), he is
This first-ever collection by the award-winning team of siblings Peter and Maria Hoey encompasses the very best of their inventive and mysterious comics. The compilation ranges from the Hoeys' early comics in Blab! Magazine to their groundbreaking newest series, Coin-Op. All in all, it's more than twenty short stories and vignettes--about music and film, the comic and the absurd, the past and the future--all sparkling with innovative storytelling and design.
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In 1954, troubled director Nicholas Ray chatted at a dinner party about his controversial plan for a film about middle-class juvenile delinquents. He was told of a book, written by a prison psychologist and owned by Warner Bros., called Rebel Without a Cause. Though he was initially unimpressed, Ray adapted the book into his own screenplay and Warner Bros. hired him to direct what would become a classic. From the backgrounds of the many players to the pre-production, production, and post-production of the film, this complete history recounts every aspect of Rebel Without a Cause from its rudiments to the 1955 Academy Awards: the selection of cast and crew, legal fights, changing screenwriters and the many variations of the story, location scouting, auditions, script readings, difficulties with the censors, romances and fights, the editing, test screenings, and, of course, the death of its star. Dozens of intimate anecdotes, from wardrobe decisions to James Dean's pranks, add rich detail. An epilogue discusses the possible sequels, rights conflicts, documentaries, musicals, and spin-off attempts, and offers concluding words on the cast and crew.
The complete story behind the groundbreaking film Rebel Without a Cause is vividly revealed in this fascinating book as provocative as the film itself. The revolutionary film Rebel Without a Cause has had a profound impact on both moviemaking and youth culture since its 1955 release, virtually giving birth to our concept of the American teenager. And the making of the movie was just as explosive for those involved. Against a backdrop of the Atomic Age and an old Hollywood studio system on the verge of collapse, four of Hollywood's most passionate artists had a cataclysmic and immensely influential meeting. James Dean, Natalie Wood, Sal Mineo, and director Nicholas Ray were each at a crucial ...
In the past few decades, awareness of bipolar disorder has significantly increased, but understanding of the condition remains vague for most of the general public. Though the term itself is relatively recent, the condition has affected individuals for centuries—and no more profoundly than in the arts. The historical connections among manic depression and such fields as literature, music, and painting have been previously documented. However, the impact of bipolar disorder on movie makers and its depiction on the screen has yet to be thoroughly examined. In The Bipolar Express: Manic Depression and the Movies, David Coleman provides an in-depth examination of the entwined natures of mood d...