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Half of these twelve original essays by international authorities are critical analyses of Brahm's music, while the remainder discuss influences, the reception of his music and his place in history.
Perspectives on the Performance of French Piano Music offers a range of approaches central to the performance of French piano music of the nineteenth and twentieth centuries. The contributors include scholars and active performers who see performance not as an independent activity but as a practice enriched by a wealth of historical and analytical approaches. To underline the usefulness of contextual understanding for performance, each author highlights the choices performers must confront with examples drawn from particular repertoires and composers. Topics explored include editorial practice, the use of early recordings, emergent disciplines such as analysis-and-performance, and traditions...
Craig E. Stephenson’s Ages of Anxiety examines how W. H. Auden in his Pulitzer Prize winning poem, The Age of Anxiety, used C. G. Jung’s psychological types to structure and explore his responses to war and the rise of fascism. This newly revised edition of Stephenson’s 2015 Zürich Lecture Series tracks Auden’s notion of the poet’s responsibilities and of the importance of the symbolic life in a time of conflict. The book tracks how Auden’s poem inspired Leonard Bernstein’s second symphony and how three choreographers (Jerome Robbins, John Neumeier, Liam Scarlett) created dances set to this work, with Jung’s psychology running through all these creative extrapolations like a common thread. In this expanded edition, Stephenson considers how the contemporary essayists Scott Stossel and Roberto Calasso employ Auden’s poem as touchstones for their own explorations of the meaning of anxiety in our time. Ages of Anxiety will be of interest to analytical psychologists, literary historians, performing arts historians, mental health practitioners, as well as the common reader.
Focusing on Messiaen’s relation to history - both his own and the history he engendered - the Messiaen Perspectives volumes convey the growing understanding of his deep and varied interconnections with his cultural milieux. Messiaen Perspectives 1: Sources and Influences examines the genesis, sources and cultural pressures that shaped Messiaen’s music. Messiaen Perspectives 2: Techniques, Influence and Reception analyses Messiaen’s compositional approach and the repercussions of his music. While each book offers a coherent collection in itself, together these complementary volumes elucidate how powerfully Messiaen was embedded in his time and place, and how his music resonates ever mor...
A picture of a highly creative music critic, notable for his humane commentary, as well as his promotion of contemporary French and British music. The music critic Felix Aprahamian (1914-2005) was a remarkable self-made man whose enormous influence in musical circles was deeply founded in his practical experience of promoting music in London, notably British and French composers. Early on he became interested in the organ and was soon corresponding with the leading French names of the day - André Marchal, Charles Tournemire, Maurice Duruflé and the young Olivier Messiaen. In 1933, the nineteen-year-old Aprahamian visited Frederick Delius in France, and while in Paris, met the aged Charles-...
This guidebook is aimed at all travellers interested in exploring the historical musical sights of Paris - in person or from an armchair. It features biographical portraits of such lumineries as Chopin, Liszt and Satie, venue information and listings of libraries, museums and galleries.
This is a chapter from Alex Ross’s groundbreaking history of twentieth-century classical music, ‘The Rest is Noise’. Further extracts are available as digital shorts, accompanying the London Southbank festival programme.
Indexes the Times and its supplements.