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Children with Gender Identity Disorder
How should we understand transgenderism, especially as it affects children and adolescents? Psychiatric manuals include transgenderism among mental illnesses (Gender Identity Disorder). Such inclusion is relatively recent, and even the words transsexual and transgender were coined only a few decades ago. Yet stories of children with an in-between gender have always been, albeit symbolically, a part of popular culture. Drawing on fairy tales, as well as from personal narratives and clinical studies, this book explains how "Gender Identity Disorder" manifests in children, critically evaluating various clinical approaches and examining the ethical and legal issues surrounding the care and treatment of these youths. The book argues that Gender Identity Disorder is not pathology, and that medicine and society should assist children in expressing themselves, without attempting to force them to adapt to a gender that does not match with their perceived identity.
Gertrude Stein's Surrealist Years
Examineshow surrealism enriches our understanding of Stein’s writing through its poetics of oppositions Gertrude Stein’s Surrealist Years brings to life Stein’s surrealist sensibilities and personal values borne from her WWII anxieties, not least of which originated in a dread of anti-Semitism. Stein’s earlier works such as Tender Buttons and Lucy Church Amiably tend to prioritize formal innovations over narrative-building and overt political motifs. However, Ery Shin argues that Stein’s later works engage more with storytelling and life-writing in startling ways—most emphatically and poignantly through the surrealist lens. Beginning with The Autobiography of Alice B. Toklas and ...
Art and the Home
Our homes contain us, but they are also within us. They can represent places to be ourselves, to recollect childhood memories, or to withdraw into adult spaces of intimacy; they can be sites for developing rituals, family relationships, and acting out cultural expectations. Like the personal, social, and cultural elements out of which they are constructed, homes can be not only comforting, but threatening too. The home is a rich theme running through post-war western art, and it continues to engage contemporary artists today - yet it has been the subject of relatively little critical writing. Art and the Home: Comfort, Alienation and the Everyday is the first single-authored, up-to-date book on the subject. Imogen Racz provides a theme-led discussion about how the physical experience of the dwelling space and the psychological complexities of the domestic are manifested in art, focusing mainly on sculpture, installation and object-based practice; discussing the work and ideas of artists as diverse as Louise Bourgeois, Gordon Matta-Clark, George Segal and Cornelia Parker within their artistic and cultural contexts.
Surrealist Landscape in the American West
Focusing on the period of the Second World War, this book explores the emergence of surrealist landscape as a genre throughout the period of surrealist exile in the Americas. By positioning surrealist landscape within the formal, iconographic, and theoretical strategies of the larger movement as well as within the historical context of war and exile, the volume encompasses critical and historical discussions from a broad spectrum of interrelated fields including psychology, anthropology, military history, art history, and ecocriticism. Central to this book are the landscapes of Max Ernst who, along with transplanted European surrealists, Wolfgang Paalen and Kurt Seligmann, revitalized a Roma...
Lee Miller's Surrealist Eye
American-born artist Lee Miller (1907-1977) has been increasingly championed by scholars and curators for her Surrealism-inspired photographs. Her captivating images of Paris in the late 1920s and early 1930s, her dreamlike portraits of desert landscapes and sexually suggestive architecture taken in Egypt in the mid-1930s, and her witty, yet often disturbing, photographs of the Second World War and its aftermath have been widely discussed. However, while popular interest in Miller’s colourful life and photographic work has been rapidly growing during the past forty years, her true worth as a prominent Surrealist artist has been somewhat overlooked. This new collection of essays addresses this issue, revalidating Lee Miller’s Surrealist position, not simply as a muse, friend, and collaborator with the Surrealists, but as one of the twentieth century’s most important and influential female Surrealist artists.
Collective Inventions
Collective Inventions constitutes the first collection and book-length publication on Surrealism in Belgium on which Belgian and Anglo-American scholars have collaborated.Collective Inventions offers new writings by leading international scholars and experts on the movement's diverse manifestations in Belgium. The essays range from comparative analyses of Surrealism in Belgium with other versions of Surrealism, particularly French, to detailed critical engagements with individual oeuvres. The authors use contemporary theoretical and critical models to explore artistic production in a variety of media, including painting and photography, film and fashion, postcards and Perspex. Collective Inventions significantly alters and widens current understandings of Surrealism.
Space, Haunting, Discourse
This anthology reflects the current interest in the concept of space as a revitalising approach to literary, social, mental, political and discursive phenomena. The contributions, which examine novels, films, art, and cultures, invite the reader to consider the function of space in human constructions as symbolic representation, analytical tool, discursive strategy and haunting effect. In a wider context they demonstrate the extent to which spatiality impacts on our lives and has ethical, political, historical and cultural implications. The contributors represent a wide range of disciplines in the Humanties: Literature, Photography, Art, Human Geography, Ethnic Studies, and Cultural Studies. Maria Holmgren Troy and Elisabeth Wennö are Associate Professors in English Literature at Karlstad University, Sweden
Intersections
Demonstrates the significant roles taken by women artists within the history of modern and contemporary art, and expands and redefines conventional conceptions of both surrealist and modernist canons.
From Self to Shelf
From Self to Shelf is a marvellously rich and various exploration of the interplay between biographical and aesthetic selves, ranging from the great self-inventions of the Romantic poets, through the complexities of revelation and impersonality that characterise twentieth century art, and down to the knowing dramas of reticence and display that distinguish the work of so many leading contemporaries. It includes essays in literary criticism, chapters in the history of painting and of music, biographical accounts, and studies in popular culture, as well as reflections by eminent practitioners. The editors have assembled an outstanding group of contributors, with names both new and familiar, to produce a volume at once absorbing and surprising, warmly alive to the human stories it tells while remaining theoretically up-to-date, and creating a book that is altogether as engaging and thought-provoking as the masterpieces it illuminates. Seamus Perry. Fellow and Tutor in English, Balliol College, Oxford.
The traumatic surreal
The traumatic surreal is the first major study to examine the ground-breaking role played by Germanophone women artists working in surrealist traditions in responding to the traumatic events and legacies of the Second World War. Analysing works in a variety of media by leading artists and writers, the book redefines the post-war trajectories of surrealism and recalibrates critical understandings of the movement’s relations to historical trauma. Chapters address artworks, writings and compositions by the Swiss Meret Oppenheim, the German Unica Zürn, the Austrian Birgit Jürgenssen, the Luxembourg-Austrian Bady Minck and the Austrian Olga Neuwirth and her collaboration with fellow Austrian Nobel-prize winning novelist Elfriede Jelinek. Locating each artist in their historical context, the book traces the development of the traumatic surreal through the wartime and post-war period.
