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Sexual Identities
Patrick Colm Hogan, a leading theorist of cognitive cultural studies, offers the first cognitive cultural study of identity in sex, sexuality, and gender. With precise conceptual distinctions, wide-ranging citation of empirical research, and careful explication of diverse literary works, Hogan defends a systematic skepticism about gender differences and a view of sexuality as evolved but also contingent and variable.
4E Cognition and Eighteenth-Century Fiction
Through study of female writers of the eighteenth-century novel, Kukkonen explores how literary texts draw on embodied experience and the lived reality of literature and reading. She approaches embodied style through the approach of 4E cognition, which understands the mind as embodied, embedded, extended, and enactive in the environment. The work breaks new ground in showing the promise of 4E cognition for cognitive poetics, and how the fiction-writing develops diverse repertoires of embodied language for the history of the novel.
Style in Narrative
Drawing on recent psychological research, this book proposes a new and clear definition of "style" and provides a systematic theoretical account of style in relation to cognitive and affective science. Patrick Hogan uses rich examples from literature, film, and graphic fiction to explain the narrative, thematic, and emotional functions of style in narrative.
Cognitive Literary Science
This book brings together researchers with cognitive-scientific and literary backgrounds to present innovative research in all three variations on the possible interactions between literary studies and cognitive science.
Cognitive Approaches to Early Modern Spanish Literature
Cognitive Approaches to Early Modern Spanish Literature is the first anthology exploring human cognition and literature in the context of early modern Spanish culture. It includes the leading voices in the field, along with the main themes and directions that this important area of study has been producing.
Comics and Cognition
Using insights from cognitive science, Comics and Cognition provides a cohesive framework for understanding how readers make meaning out of the many features of comics, including images, language, and layouts, and in a range of styles from realistic to very abstract cues. Mike Borkent unpacks many unconscious patterns and processes that support the why's and how's of the textual experience, showing how perception, interaction, synthesis, and improvisation produce a dynamic interplay between the reader and the text creating a unique texture to readerly experience, including the development of different viewpoints, senses of time, and metacommentaries.
Handbook of Narratology
This handbook provides a systematic overview of the present state of international research in narratology and is now available in a second, completely revised and expanded edition. Detailed individual studies by internationally renowned narratologists elucidate central terms of narratology, present a critical account of the major research positions and their historical development and indicate directions for future research.
The New Yearbook for Phenomenology and Phenomenological Philosophy
Volume XXI Special Issue, 2023 Part 1: Phenomenological Perspectives on Aesthetics and Art Part 2: Heidegger and Contemporary French Philosophy Aim and Scope: The New Yearbook for Phenomenology and Phenomenological Philosophy provides an annual international forum for phenomenological research in the spirit of Husserl’s groundbreaking work and the extension of this work by such figures as Reinach, Scheler, Stein, Heidegger, Sartre, Levinas, Merleau-Ponty and Gadamer. Contributors: Liliana Albertazzi, Dimitris Apostolopoulos, Gabriele Baratelli, Anna Irene Baka, Irene Breuer, John Brough, Peer Bundgaard, Justin Clemens, Richard Colledge, Bryan Cooke, Françoise Dastur, Ivo De Gennaro, Natal...
What is an Image?
Brings together historians, philosophers, critics, postcolonial theorists, and curators to ask how images, pictures, and paintings are conceptualized. Issues discussed include concepts such as "image" and "picture" in and outside the West; semiotics; whether images are products of discourse; religious meanings; and the ethics of viewing.
Culture, Media, Theory, Practice
The questions of cultural and media theory and analysis are always self-reflective. That is to say that, if we accept the relatively common sense assertion that theory and analysis are the central tasks of culture and media studies, one is never exempted from the questions of what one is attempting to do and why. The book deals with the questions: What does it mean to theorize culture? What does it mean to practice cultural analysis? What does it mean to theorize media? What does it mean to practice media analysis?
