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Pyramids with hidden burial chambers. Colossal royal statues and minuscule gold jewelry. Decorated tomb chapels, temples, settlements, fortresses, ceramics, furniture, stone vessels--and hieroglyphic inscriptions everywhere. This is the legacy of forty-three years of breathtakingly successful excavations at twenty-three different archaeological sites in Egypt and Sudan (ancient Nubia). George Reisner (1867-1942) discovered all this and more during a remarkable career that revolutionized archaeological method in both the Old World and the New. Leading the Harvard University-Boston Museum of Fine Arts Expedition, Reisner put American--and particularly Boston--Egyptology on the world stage. His...
We've all heard of pyramids, hieroglyphs, and Cleopatra, but how much do you really know about ancient Egypt?
Extensive treatment of this pivotal figure in the ancient Mediterranean world
In The Iconography of Family Members in Egypt’s Elite Tombs of the Old Kingdom,, Jing Wen offers a comprehensive survey of how ancient Egyptians portrayed their family members in the reliefs of an elite tomb. Through the analysis of the depiction of family members, this book investigates familial relations, the funerary cult of the dead, ancestor worship, and relevant texts. It provides a new hypothesis and perspective that would update our understanding of the Egyptian funerary practice and familial ideology. The scenes of family members are not a record of family history but language games of the tomb owner that convey specific meaning to those who enter the chapel despite time and space.
The Giza Plateau represents perhaps the most famous archaeological site in the world. With the advent of new technologies, the Necropolis is now accessible in four dimensions. Peter Der Manuelian explores technologies for cataloging and visualizing Giza and offers more general philosophical reflection on the nature of visualization in archaeology.
The Pyramid Age represents the first of several highpoints in ancient Egypt’s long history. But critical questions remain about the period, its social structure and economic organization, and the long-term implications of its artistic achievements. On the occasion of the fifth anniversary of the Journal of Egyptian History, The University of British Columbia, Harvard University, and Brill Academic Publishers, Boston, held a conference at Harvard University on April 26, 2012. A distinguished group of Egyptological scholars from around the world gathered to consider new perspectives on the Pyramid Age; the results are presented here.
This volume of collected studies takes stock of most recent developments in Egyptology and the Digital Humanities, considering future directions for the application of new technologies in Egyptology. The book presents the results of an international conference held in 2019 at Indiana University – Bloomington, in which Egyptologists and digital humanists with interest in Egyptology gathered in 2019 to present current projects in 3D modeling, virtual and augmented reality, game technology, digital pedagogy, database projects, computational and corpus linguistics and E-publications. Those projects, along with a selection of others that were not presented in Bloomington, are now described and discussed in this volume.
The book is published in conjunction with a traveling exhibition organized by the American Federation of Arts and The British Museum and drawn exclusively from the collection of The British Museum, which is among the finest in the world. Illustrated with images of the works in the exhibition, as well as comparative materials, Eternal Egypt is that rare book of interest and value to the general and scholarly audience alike."--BOOK JACKET.
"The Egyptian Old Kingdom (c. 2650-2150 BC) was an era of extraordinary artistic achievement-the period that gave us the Sphinx and the pyramids as well as a rich legacy of private tombs, wall paintings, reliefs, statuary, jewelry, and decorative arts. This book, the companion volume to a major traveling exhibition organized by New York's Metropolitan Museum of Art and the Louvre in Paris, showcases the most impressive assemblage of Egyptian art and artifacts since the Tutankhamun exhibition of the late 1970s. Scholarly essays and 650 illustrations bring to life a remarkable panoply of Old Kingdom objects-temple and tomb reliefs, striking gold jewelry, handsome stone vessels, monumental statues, stelae, and exquisite statuettes. Together, text and images create a stunning tribute to the world of the Pharaohs"--Publisher's description.
Standing as a summary of Spalinger's ideas at the time of the Yale lectures in 2012, this study covers two research sides of modern Egyptological research by a life-long student of ancient Egyptian calendrics and the Egyptian military. The first three chapters cover the development of Richard Parker's seminal study from 1950 and move into the present stage of scholarship. Very important is the author's clarification of what Parker wrote in his paradigmatic work, a slim volume often misunderstood. Hence, the thrust of argument concentrates upon the dating of feasts, the names of the Egyptian months and their metamorphoses, in addition to the retention of lunar-based phenomena. Two final chapters turn to the military aspects of New Kingdom warfare, with emphasis placed upon Seti I and logistical arrangements.