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Photojournalism and Today's News
A practical look at photojournalism and the newsroom. It is an essential guide for aspiring photojournalists and young professionals to newsroom culture, and how that culture influences photographic assignments, production and editing.
Photojournalism
Showcases the work of thirty of the world's leading photojournalists, and features interviews with the featured photographers in which they discuss their work and share the stories behind some of their most important pictures.
Get the Picture
How do photojournalists get the pictures that bring us the action from the world's most dangerous places? How do picture editors decide which photos to scrap and which to feature on the front page? Find out in Get the Picture, a personal history of fifty years of photojournalism by one of the top journalists of the twentieth century. John G. Morris brought us many of the images that defined our era, from photos of the London air raids and the D-Day landing during World War II to the assassination of Robert Kennedy. He tells us the inside stories behind dozens of famous pictures like these, which are reproduced in this book, and provides intimate and revealing portraits of the men and women who shot them, including Robert Capa, Henri Cartier-Bresson, and W. Eugene Smith. A firm believer in the power of images to educate and persuade, Morris nevertheless warns of the tremendous threats posed to photojournalists today by increasingly chaotic wars and the growing commercialism in publishing, the siren song of money that leads editors to seek pictures that sell copies rather than those that can change the way we see the world.
Understanding Photojournalism
Understanding Photojournalism explores the interface between theory and practice at the heart of photojournalism, mapping out the critical questions that photojournalists and picture editors consider in their daily practice and placing these in context. Outlining the history and theory of photojournalism, this textbook explains its historical and contemporary development; who creates, selects and circulates images; and the ethics, aesthetics and politics of the practice. Carefully chosen, international case studies represent a cross section of key photographers, practices and periods within photojournalism, enabling students to understand the central questions and critical concepts. Illustrated with a range of photographs and case material, including interviews with contemporary photojournalists, this book is essential reading for students taking university and college courses on photography within a wide range of disciplines and includes an annotated guide to further reading and a glossary of terms to further expand your studies.
Critical Issues in Photojournalism
Drawing on original research and industry experience, this book studies the historical debates and controversies underpinning photojournalism and those practising it today. Beginning with the origins of photography and the close-knit relationship between journalism and the image, this book goes on to consider the theories that have sought to unpick photography and photojournalism and how these translate to contemporary practice. Hadland examines the present and potential roles of photojournalism in society and reflects on how technological advances such as Artificial Intelligence may impact the profession. Ethical considerations and certain immeasurable dimensions of photography, including concepts of power, truth, and meaning, are brought into question alongside ongoing issues of exclusion and homogeneity amongst professional photojournalists. Critical Issues in Photojournalism is an ideal primer for students seeking a solid historical, ethical, and reflective understanding of the discipline.
Photojournalism
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Photojournalism
Originally published in 1991. "A photojournalist is a mixture of a cool, detached professional and a sensitive, involved citizen. The taking of pictures is much more than F-stops and shutter speeds. The printing of pictures is much more than chemical temperatures and contrast grades. The publishing of pictures is much more than cropping and size decisions. A photojournalist must always be aware that the technical aspects of the photographic process are not the primary concerns." This book addresses ethics in photojournalism in depth, with sections on the philosophy in the discipline, on pictures of victims or disaster scenes, on privacy rights and on altering images. As important and interesting today as when it was first in print.
The Burden of Visual Truth
As the visual component of contemporary media has overtaken the verbal, visual reportage has established a unique and extremely significant role in 21st-century culture. Julianne Newton has prepared this comprehensive analysis of the development of the role of visual reportage as a critical player in the evolution of our understanding of ourselves, others, and the world. The Burden of Visual Truth offers a first assessment of the role of visual journalism within the context of the complex, cross-disciplinary pool of literature and ideas required for synthesis. Newton approaches the subject matter from several perspectives, examining the theoretical and ideological bases for visual truth, par...
Picturing the Past
Explores the relations between photo-journalism and history, investigating how photographs shape both, what we remember and how we remember. This book provides insight into how photographs, generate a sense of national community, and reinforce prevailing social, cultural, and political values.
