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From their inception, 'low culture' comics have intersected with the 'high culture' of Shakespeare. This is the first book-length collection dedicated entirely to the exploration of this collision. Its chapters illuminate the ways in which different texts, time periods, politics, authors, media, approaches and forms interact. Ranging from Classic Comics to Marvel, from tebeo to manga, from independent to mainstream comics, texts explored include Y: The Last Man, Neil Gaiman and Charles Vess's 'A Midsummer Night's Dream' (The Sandman #19), The League of Extraordinary Gentlemen, I Am Alfonso Jones, Marvel 1602, Doom 2099, and manga adaptations of The Tempest and Macbeth, among many others. As ...
Did you sign a deal with the Devil? Has your fianc been dragged to Hell? Then Kate and Cate Harrow should be the first ones you call for timely soul retrieval at a reasonable rate! But why are these identical twins so different? Is there a darker secret? An all-new ongoing series by Eisner Award-winning writer IAN BOOTHBY (The Simpsons, MAD Magazine), with art by GISéLE LAGAC (Mnage a 3, Archie).
This book features a discussion on the modernisation of law and legal change, focusing on the key concepts of innovation" and "transition". These concepts both appear to be relevant and poorly defined in contemporary legal science. A critical reflection on the heuristic value of these categories seems appropriate, particularly considering their dyadic value. While innovation is increasingly appearing in the present day as being the category in which one looks at the modernisation of law, the concept of transition also seems to be the privileged place of occurrence for such dynamics. This group of Italian and Brazilian scholars contributing to this volume intends to investigate such problems through an interdisciplinary prism. It includes points of view both internal to legal studies - such as the history of law, theory of law, constitutional law, private law and commercial law - and external, such as political philosophy and history of justice and political institutions.
The continuation of Brian K. Vaughan and artist Pia Guerra’s acclaimed VERTIGO series Y: THE LAST MAN brings to vivid life the age-old speculation: What would really happen to the last man on Earth? dIn 2002, the world changes forever. Every man, every boy, every mammal with a Y chromosome everywhere on Earth suddenly collapses and dies. With the loss of nearly half the planet’s population, the gears of society grind to a halt, and a world of women are left to pick up the pieces and try to keep civilization from collapsing entirely. The “gendercide,” however, is not absolutely complete. For some unknown reason, one young man named Yorick Brown and his pet male monkey, Ampersand, are spared. Overnight, this anonymous twenty-something becomes the most important person on the planet-the key, it is hoped, to unlocking the secret of the mysterious sex-specific plague. For Yorick himself, the most important person on the planet has been agonizingly out of reach. But now, after three long years and 10,000 arduous miles, the last man is closing in on the truth about his lost fiancée-and the shocking facts behind his own survival. Collects Y: THE LAST MAN #37-48
A MAN FOR ALL SEASONS In 2002, the world changes forever. Every man, every boy, every mammal with a Y chromosome everywhere on Earth suddenly collapses and dies. With the loss of nearly half the planet’s population, the gears of society grind to a halt, and a world of women is left to pick up the pieces and try to keep civilization from collapsing entirely. The “gendercide,” however, is not absolutely complete. For some unknown reason, one young man named Yorick Brown and his pet male monkey, Ampersand, are spared. Overnight, this anonymous twenty-something becomes the most important person on the planet - the key, it is hoped, to unlocking the secret of the mysterious sex-specific pla...
As awareness of climate change grows, so do the number of cultural depictions of environmental disaster. Graphic novels have reliably produced dramatizations of such disasters. Many use themes of dystopian hopefulness, or the enjoyment readers experience from seeing society prevail in times of apocalypse. This book argues that these generally inspirational narratives contribute to a societal apathy for real-life environmental degradation. By examining the narratives and art of the environmental apocalypse in contemporary graphic novels, the author stands against dystopian hope, arguing that the ways in which we experience depictions of apocalypse shape how we respond to real crises.
No MAN’s Land 2002, the world changes forever. Every man, every boy, every mammal with a Y chromosome everywhere on Earth suddenly collapses and dies. With the loss of nearly half the planet’s population, the gears of society grind to a halt, and a world of women are left to pick up the pieces and try to keep civilization from collapsing entirely. “gendercide,” however, is not absolutely complete. For some unknown reason, one young man named Yorick Brown and his pet male monkey, Ampersand, are spared. Overnight, this anonymous twentysomething becomes the most important person on the planet - the key, it is hoped, to unlocking the secret of the mysterious sex-specific plague. Yorick himself, the most important person on the planet is 10,000 miles away - and he will stop at nothing to find her. But as he travels across this strange new world, both danger and opportunity alike threaten to derail his journey - and with it the future of the human race. Brian K. Vaughn and artist Pia Guerra’s acclaimed VERTIGO series Y: THE LAST MAN brings to vivid life the age-old speculation: What would really happen to the last man on Earth? Collects Y: THE LAST MAN 11-23.
IMAGE+ captures the unrelenting imagination and inspired craft behind the comics redefining the industry now. Packed with exclusive previews, features, and art walkthroughs, this issue features NICK PITARRA and his frenzied art for his Kaiju-themed blockbuster with writer JOHN LAYMAN, LEVIATHAN. We also explore the deep chronology behind ImageÕs longest-running books, with writers charting their process for evolving characters and worlds over decades. SCOTT SNYDER and JOCKÕs WYTCHES: BAD EGG reaches its unnerving penultimate chapter, as two boys discover the monsters lurking in the woodsÑand in their familiesÑwho have sold their souls to eldritch horrors. IMAGE+ is free with any purchase of DiamondÕs Previews.
Y: THE LAST MAN, winner of three Eisner Awards and one of the most critically acclaimed, best-selling comic books series of the last decade, is that rare example of a page-turner that is at once humorous, socially relevant and endlessly surprising. Written by Brian K. Vaughan (LOST, PRIDE OF BAGHDAD, EX MACHINA) and with art by Pia Guerra, this is the saga of Yorick Brown—the only human survivor of a planet-wide plague that instantly kills every mammal possessing a Y chromosome. Accompanied by a mysterious government agent, a brilliant young geneticist and his pet monkey, Ampersand, Yorick travels the world in search of his lost love and the answer to why he's the last man on earth. Collects Y THE LAST MAN #1-10.