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This book highlights the modernity of Polish Jewish culture through its literature, poetry, film, cabaret, theater, architecture, the visual arts, and music in urban centers large and small. The contributors expertly reassert the belonging of Jews in Polish lands and showcase the multivalent texture of Polish Jewish cultural production before World War II.
The book takes an in-depth look at a hitherto unexplored part of the oeuvre of prominent Polish economist and historian of economic thought Tadeusz Kowalik: his thesis that the systemic transformation that took place in Poland in the late 1980s was a de facto "epigonic bourgeois revolution". Since Kowalik actually never extended his argument to support this thesis, the aim of the book is to answer the following question: If some important reflections on the revolutionary character of the Polish transformation scattered throughout Kowalik's works were to be found, would they together constitute a convincing justification for the thesis of the "epigonic bourgeois revolution"?
Antisemitic caricatures had existed in Polish society since at least the mid-nineteenth century. But never had the devastating impacts of this imagery been fully realized or so blatantly apparent than on the eve of the Second World War. In Cartoons and Antisemitism: Visual Politics of Interwar Poland, scholar Ewa Stańczyk explores how illustrators conceived of Jewish people in satirical drawing and reflected on the burning political questions of the day. Incorporating hundreds of cartoons, satirical texts, and newspaper articles from the 1930s, Stańczyk investigates how a visual culture that was essentially hostile to Jews penetrated deep and wide into Polish print media. In her sensitive ...
Audiovisual Translation: Dubbing is an introductory textbook that provides a solid overview of the world of dubbing and is fundamentally interactive in approach. Based on first-hand experience in the field, the book combines translation practice with other related tasks – usually commissioned to dialogue writers and dubbing assistants – thus offering a complete introduction to the field of dubbing. It develops diversified skills, presents a broad picture of the industry, engages with the various controversies in the field, and challenges prevailing stereotypes. The individual chapters cover the map of dubbing in the world, the dubbing market and professional environment, text segmentation into takes or loops, lip-syncing, the challenge of emulating oral discourse, the semiotic nature of audiovisual texts, and specific audiovisual translation issues. The book further raises a number of research questions and looks at some of the unresolved challenges of this very specific form of translation. It includes graded exercises covering core skills that can be practised in class or at home, individually or collectively.
The Routledge Handbook of Contemporary Belarus presents a thorough introduction and overview of the country's history, politics, and international relations. Belarus is as a country that has attracted increased attention since the mass anti-authoritarian protests of 2020 and the ensuing dramatic changes, including the rise of a digital dictatorship and the use of Belarus’ territory for launching Russia’s attack against Ukraine in 2022. Interdisciplinary in focus, the chapters are written by experts in their field and offer a nuanced understanding of the country. The handbook is structured into four thematic clusters: International and regional relations; Political regime dynamics and the democratic protest; Governance, (absent) reform, and the state–society relations; and History, identity, and language A key comprehensive reference work on Belarus offering new and updated research on the country, this handbook will be of interest to an interdisciplinary audience, including those studying Central and Eastern Europe, politics and international relations, comparative politics and authoritarianism, social movements and political protest and history and identity.
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Masquerade and Femininity: Essays on Russian and Polish Women Writers introduces the reader to the diversity of women’s writing in Poland and Russia in the 19th and 20th centuries in the light of the notion of masquerade. The present articles scrutinize particular works by women writers (Nadezhda Dmitrievna Khvoshchinskaia, Irina Odoevtseva, Vera Pavlova, Narcyza Żmichowska, Maria Komornicka, Irena Krzywicka and others) and the strategies of masquerading female experience. Taken together, the articles draw attention to the feeling of an inexpressible gap between the living body (and its everyday life experience of pain and suffering or happiness and pleasure) and the culturally constructe...
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Now in its 57th year, Film Review is the longest-running film annual available. Lively opinion is combined with detailed coverage of the year's cinema releases, as well as features on movie gossip, and the most promising new faces.