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Towards a New Literary Humanism
Literature cultivates 'deep selves' for whom books matter because they take over from religion fundamental questions about the meaning of existence. This volume embraces and questions this perspective, whilst also developing a 'new humanist' critical vocabulary which specifies, and therefore opens to debate, the human significance of literature.
Theology, Horror and Fiction
Longlisted for the 2022 International Gothic Association's Allan Lloyd Smith Prize Surpassing scholarly discourse surrounding the emergent secularism of the 19th century, Theology, Horror and Fiction argues that the Victorian Gothic is a genre fascinated with the immaterial. Through close readings of popular Gothic novels across the 19th century – Frankenstein, Wuthering Heights, Dracula and The Picture of Dorian Gray, among others – Jonathan Greenaway demonstrates that to understand and read Gothic novels is to be drawn into the discourses of theology. Despite the differences in time, place and context that informed the writers of these stories, the Gothic novel is irreducibly fascinated with religious and theological ideas, and this angle has been often overlooked in broader scholarly investigations into the intersections between literature and religion. Combining historical theological awareness with interventions into contemporary theology, particularly around imaginative apologetics and theology and the arts, Jonathan Greenaway offers the beginnings of a modern theology of the Gothic.
The Maternal Image of God in Victorian Literature
This book is the study of a religious metaphor: the idea of God as a mother, in British and US literature 1850–1915. It uncovers a tradition of writers for whom divine motherhood embodied ideals felt to be missing from the orthodox masculine deity. Elizabeth Gaskell, Josephine Butler, George Macdonald, Frances Hodgson Burnett and Charlotte Perkins Gilman independently reworked their inherited faith to create a new symbol that better met their religious needs, based on ideal Victorian notions of motherhood and ‘Mother Nature’. Divine motherhood signified compassion, universal salvation and a realised gospel of social reform led primarily by women to establish sympathetic community. Conn...
Literary Theology by Women Writers of the Nineteenth Century
Suggesting that women used literature as a means to engage in theology during the nineteenth century, Rebecca Styler examines works by writers who include Emma Worboise, Anne Bronte, Anna Jameson, Clara Balfour, Harriet Martineau and Josephine Butler. Using a range of literary genres, these writers questioned the adequacy of their inherited Christian tradition to meet deeply felt personal and political needs. They reconfigure religion in creative, and more earth-oriented, ways.
Studies in Medievalism XXXIV
The themes of tribalism and medievalism unite this wide-ranging collection of essays. Essays address queer medievalisms in and around Gwen Lally's historical pageants and Radclyffe Hall's The Well of Loneliness; Robert Glück's 1994 novel Margery Kempe; and forms of gender tribalism in and around Josephine Butler's Catharine of Siena: A Biography. Gender is further explored alongside the central theme, with surveys of tribal gendering of masculinity in C. S. Lewis's Prince Caspian and its film; tribalism in medievalist bandits beyond Robin Hood and his "merry" band; and tribal gendering of femininity in the films Brave and Sleeping Beauty. There are also contributions on colonialist tribalism in the staging of Camelot in Richard E. Grant's film Wah-Wah; nationalistic tribalism in German pride, refracted through American frontier attitudes towards Native Americans; tribal perspectives of Native Americans in Guy Gavriel Kay's Fionavar Tapestry; the death of Optimus Prime in Transformers: The Movie as an act that stirs fans' tribal passions; and Carolingian legends as both reflecting and superseding tribal affiliations in twentieth-century America.
God and the Gothic
Alison Milbank provides a complete reimagining of the Gothic literary canon to examine its engagement with theological ideas, tracing its origins to the apocalyptic critique of the Reformation female martyrs, and to the Dissolution of the monasteries, now seen as usurping authorities.
Fancy Meeting You Here
“For the rom-com fans, you can never go wrong with a Julie Tieu book.” — Buzzfeed Opposites attract when an always-the-bridesmaid florist and a grumpy caterer mix business with pleasure in this swoony romantic comedy in the vein of 27 Dresses from Julie Tieu, author of The Donut Trap and Circling Back to You. Every single one of Elise Ngo’s close girlfriends—Rebecca, Jesse, and Beth—is getting married within the same few months, and every single one of them has asked her to be both bridesmaid and florist. Though it’s a lot for her to juggle, the work and exposure is a boon to her struggling flower shop. The stakes are high at Rebecca’s high-profile wedding, where the guests a...
The New Sweet Style
"The New Sweet Style, Alexander Korbach - a singer/composer/playwright adored by the counterculture in Moscow and reviled by the Communist powers-that-were - comes to the United States to start over and to search for new ways of pursuing his art." "No one is at the airport to meet him. Oh, well. Sasha soon discovers that he's a distant cousin of a rich American retailer with an elegant flagship store in New York. But before he can "capitalize" on this connection, Sasha has to work as a garage attendant in Santa Monica, deal with his Russian ex-wife, face down the KGB, get in bed with the KGB, and drink a goodly portion of vodka now and again (and again)."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
