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Literary and Cultural Responses to Mnemonic Landscapes
This book offers a profound exploration of "spaces in transit," a concept that bridges urban spaces, natural environments, and the archival and architectural echoes of the past with their representations in literature, art, and commemorative practices. Through 14 meticulously crafted essays, this volume delves into the intricate interplay between spatial and cultural memory, framed by theories of geocriticism, feminism, race, postcolonialism, and more. Key concepts such as "deep spaces," "implicative spaces," and "landmark poetic spaces" are introduced, inviting readers to consider the fluidity and mutability of memory-laden sites. The essays critically examine how these spaces are continual...
Work: The Labors of Language, Culture, and History in North America
Like all fundamental categories, work becomes ever more complex as we examine it more closely. The terms "work," "labor," "job," "employment," "occupation," "profession," "vocation," "task," "toil," "effort," "pursuit," and "calling" form a dense web of overlapping and contrasting meanings. Moreover, the analysis of work must contend with how histories of class struggle, gendered and sexual divisions of labor, racial hierarchies, and citizenship regimes have determined who counts as a worker and qualifies for the rights, protections, and social respect thereof. And yet waged work is only the tip of an enormous iceberg that feminist theorists call "socially reproductive labor"—the gendered, mostly unpaid, and hidden work of caring for, feeding, nursing, and teaching the next generation of workers. This collection of essays explores the richness of work as a linguistic, cultural, and historical concept and the conjunctures that are changing work and its worlds.
Imagining Space and Heritage
Although Dalmatia is not at the core of the contemporary imagination of the Habsburg Empire, which has recently been idealised in scholarship, it shares several similarities with the majority of the ex-Habsburg borderlands, one of which is its complex ethnic makeup in the period of politicisation of a modern nationalist agenda (1890–1941). In this volume, the author deals with the most important Croatian, Italian and Serbian discourses that shaped the space and defined the heritage of Dalmatia. They organised spatial knowledge by bringing about competing mental maps which envisaged Dalmatia in national or regional terms. The book, focusing on prominent writers and societal actors, could also be seen as a contribution to intellectual history or the history of ideas on these Dalmatian borderlands.
Mental Illness and Narrative Complexity
Mainstream media's relationship with mental illness is fraught. Deemed to misrepresent and sensationalise non-normative mental states, productions are said to solidify harmful attitudes in their audiences. Over the past two decades, puzzle films and complex TV shows have broken with time-honoured tropes of mental illness, offering alternative ways of visualising and narrating non-normative mental states.Bringing together cognitive media studies, narrative theory and cultural studies, Melanie Kreitler explores the synergy between complex narrative structures and representations of mental illness. Focusing on US American films and TV shows since the mid-1990s, the book shows how complex productions strategically use their narrative structures to evoke in viewers an experience similar to that of the neuro-non-normative protagonist. Moving beyond the formal characteristics and cognitive effects of narrative complexity, this book argues for the cultural impact that puzzle films and complex television can have on our understanding of mental illness on and off screens.
Transmedial Narratology and Contemporary Media Culture
It has become something of a cliché within the field of narratology to assert the commercial, aesthetic, and sociocultural relevance of narrative representations, but the fact remains that narratives are everywhere. Whenever we read a novel or a comic, watch a film or an episode of our favorite television series, or play the latest video game, we are likely to engage with narrative media. Similarly, the intermedial adaptations and transmedial entertainment franchises that have become increasingly visible during the past few decades are, at their core, narrative forms. Since a significant part of contemporary media culture is defined by the narratives we tell each other via various media, th...
Storyworlds Across Media
The proliferation of media and their ever-increasing role in our daily life has produced a strong sense that understanding media—everything from oral storytelling, literary narrative, newspapers, and comics to radio, film, TV, and video games—is key to understanding the dynamics of culture and society. Storyworlds across Media explores how media, old and new, give birth to various types of storyworlds and provide different ways of experiencing them, inviting readers to join an ongoing theoretical conversation focused on the question: how can narratology achieve media-consciousness? The first part of the volume critically assesses the cross- and transmedial validity of narratological concepts such as storyworld, narrator, representation of subjectivity, and fictionality. The second part deals with issues of multimodality and intermediality across media. The third part explores the relation between media convergence and transmedial storyworlds, examining emergent forms of storytelling based on multiple media platforms. Taken together, these essays build the foundation for a media-conscious narratology that acknowledges both similarities and differences in the ways media narrate.
Wahnsinn in der Kunst
Verlagsinfo: Dieser Sammelband geht der Frage nach, wie sich gesellschaftliche, politische und philosophische Entwicklungen in der kulturellen Imagination des Wahnsinns wieder finden und welche Aussagen sich aus dieser Korrespondenz ableiten lassen. Dass die Definition des Wahnsinns dabei durch soziale Normen in den unterschiedlichen Diskursen etabliert ist, verweist für die Beiträgerinnen und Beiträger immer auf die Konstruiertheit der Kategorien von Vernunft und Wahnsinn. Wie eine Gesellschaft den Wahn darstellt, so das Credo der hier zusammen getragenen Beiträge, verrät viel über ihre Werte, ihre Machtverhältnisse, ihre Befürchtungen. Wahnsinn in der Kunst versucht dabei keinesweg...
Exploring the Spatiality of the City across Cultural Texts
Exploring the Spatiality of the City across Cultural Texts: Narrating Spaces, Reading Urbanity explores the narrative formations of urbanity from an interdisciplinary perspective. Within the framework of the “spatial turn,” contributors from disciplines ranging from geography and history to literary and media studies theorize narrative constructions of the city and cities, and analyze relevant examples from a variety of discourses, media, and cities. Subdivided into six sections, the book explores the interactions of city and text—as well as other media—and the conflicting narratives that arise in these interactions. Offering case studies that discuss specific aspects of the narrative construction of Berlin and London, the text also considers narratives of urban discontinuity and their theoretical implications. Ultimately, this volume captures the narratological, artistic, material, social, and performative possibilities inherent in spatial representations of the city.
