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This volume presents a selection of essays discussing recent developments in genre theory. It furthermore reflects the current research of members of the Swiss Association of North American Studies.
What makes a reading experience »powerful«? This volume brings together literary scholars, linguists, and empirical researchers who tackle the question by investigating the effects and reader responses generated by selected extracts of literary prose. The twelve contributions theorize this widely-used, but to date insufficiently studied notion, and provide insights into the therefore still mysterious-seeming power of literary fiction. The collection explores a variety of stylistic as well as readerly and psychological features responsible for short- and long-term effects – topics of great interest to those interested or specialized in literary studies and narratology, (cognitive) stylistics, empirical literary studies and reader response theory.
This collection combines research from the field of (im)politeness studies with research on language pedagogy and language learning. It aims to engender a useful dialogue between (im)politeness theorists, language teachers, and SLA researchers, and also to broaden the enquiry to naturalistic contexts other than L2 acquisition classrooms, by formulating 'teaching' and 'learning' as processes of socialization, cultural transmission, and adaptation.
Theories of intertextuality suggest that meaning in a text can only ever be understood in relation to other texts; no work stands alone but is interlinked with the tradition that came before it and the context in which it is produced. This idea of intertextuality is crucial to understanding literary studies today. Graham Allen deftly introduces the topic and relates its significance to key theories and movements in the study of literature. The second edition of this important guide to intertextuality: outlines the history and contemporary use of the term incorporates a wealth of illuminating examples from literature and culture includes a new, expanded conclusion on the future of intertextuality examines the politics and aesthetics of the term relates intertextuality to global cultures and new media. Looking at intertextuality in relation to structuralism, post-structuralism, deconstruction, postcolonialism, Marxism, feminism and psychoanalytic theory, this is a fascinating and useful guide for all students of literature and culture.
Explores the social and cultural history of bureaucratization in 19th-century Britain and France via the evolving literary portrayal of office life. Literary critics have long cited the clerk in 19th-century literature as an emblem of a nascent lower middle class, or of shifting gender roles in the world of work. Moreover, there is growing critical interest in the influence of rapidly evolving organizational systems and data networks on this period's culture. By refocusing on the point at which these interests meet – the office – The Rise of Office Literature plays a synthesizing role, identifying this workplace as a point of convergence between the abstract and the quotidian, between st...
This volume focuses on the two major ideal projects, "Broadacre City" and "The Living City", designed by the American master during the '30s. 418 illustrations, 251 in color.
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Luis Barragan was one of the most extraordinary figures in international architecture between the 1930s and the 1970s. His work offers a unique interpretation of international modern architecture from the perspective of the Mexican landscape.
Within a mere eight decades, since the first regular airline flights in 1919, flying has gone from being an adventurous, exclusive pleasure of a select few to an almost everyday mass phenomenon of transportation. During this time, civilian air travel has not only created its own technical standards; it has also produced its own aesthetic: cabin interiors, airport architecture, airline corporate design, flight attendant uniforms, even on-board plates and cutlery. This Vitra Design Museum exhibition is dedicated to the 'airworld' encountered by passengers during flight from the perspective of the history of design and architecture.
African seats have exceptional sculptural power; and they range from items incorporating carved figures to extraordinarily abstract forms of a minimalism astonishing even by Western standards. No other non-European culture can lay claim to such a variety of seats.