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Theater historians were discussing the particular type of violence displayed by medieval religious plays long before cultural studies discovered violence as a favored topic. The present volume, which gathers selected papers of the first regional colloquium of the Société Internationale pour l'Étude du Théâtre Médiéval (SITM) in Germany, draws upon recent sociohistorical work on the phenomenon to reconsider past paradigms for the function of violence on the medieval stage, including the concept of compassio. The authors argue that an important key to the understanding of violence in medieval and early modern theater can be found in the relationship between violentia, vis, and potestas ...
Controversial poetry played a crucial role in dealing with religious, political, and scholarly conflicts from 1400 until 1625. This volume analyses roles and functions of Latin, Italian, Dutch, German, Scots, and Hungarian poetry in specific historical controversies. A media theory of poetical impact is proposed by Franz-Josef Holznagel and Dieuwke van der Poel. Levente Seláf, Philipp Steinkamp, and Guillaume van Gemert examine the genres sung in wars, and in rulers’ controversies. Judith Keßler, Dirk Coigneau, Juliette Groenland, and Regina Toepfer analyse how female and male rhetoricians and humanists use verse in religious, municipal, and educational conflicts. Signe Rotter-Broman, Sa...
This volume explores a core medieval myth, the tale of an Arthurian knight called Wigalois, and the ways it connects the Yiddish-speaking Jews and the German-speaking non-Jews of the Holy Roman Empire. The German Wigalois / Viduvilt adaptations grow from a multistage process: a German text adapted into Yiddish adapted into German, creating adaptations actively shaped by a minority culture within a majority culture. The Knight without Boundaries examines five key moments in the Wigalois / Viduvilt tradition that highlight transitions between narratological and meta-narratological patterns and audiences of different religious-cultural or lingual background.
This book takes a thematic approach to questions of how to define emotion and loneliness, breaking down loneliness into a range of different dimensions – estrangement, longing, homesickness, isolation – and considers how these phenomena appear across a range of global contexts. Loneliness is a topic of current concern, a downside of the anomie of the modern condition. Yet, emotions and experiences that share some of the features of loneliness can be found in cultures from the ancient world onwards. The book engages with discussions about what loneliness might encompass and how different societies and people have experienced it, raising key questions including where we place the boundaries of emotion, what makes particular emotions distinctive and cultural (or conversely universal), and how we might engage in comparative work across languages and cultures. Loneliness in World History provides an introduction to an important contemporary emotion across cultures and time, and it is particularly suited for undergraduate students and those new to the field of the history of emotions.
This monograph examines the most prestigious political paintings created in Britain during the High Baroque age. It investigates a period characterized by numerous social, political, and religious crises, in the years between the restoration of the Stuart monarchy (1660) and the death of the first British monarch from the House of Hanover (1727). On the basis of hitherto unpublished documents, the book elucidates the creation and reception of nine major commissions that involved the court, private aristocratic patrons, and/or civic institutions. The ground-breaking new interpretations of these works focus on strategies of conflict resolution, the creation of shared cultural memories, processes of cultural translation, the performative context of the murals and the interaction of painted images and architectural spaces.
Open Access. Early modern transnational relations and personal encounters were influenced by interactions between Japan and the regions that had become connected to it through expanding global trade and missionary networks. Translation activities linked to Christian missionary activities, overseas trade, and political upheaval in these places all contributed to shaping these interactions. Adopting an interdisciplinary perspective, this volume explores religion, translation, and transnational relations in the context of the colonial and missionary enterprises involving Japan, between 1550 and 1800. It focuses on the early Catholic mission to Japan, discussing both Protestant and local religious reactions to it, and the publications of the Jesuit mission press in Japan. A survey of the subsequent centuries of scholarly involvement with translational materials in Asian languages further suggests that translation had a formative influence on the intellectual world in the Early Modern period.
This volume examines the ten most popular fictional narratives in early modern Europe between 1470 and 1800. Each of these narratives was marketed in numerous European languages and circulated throughout several centuries. Combining literary studies and book history, this work offers for the first time a transnational perspective on a selected text corpus of this genre. It explores the spatio-temporal transmission of the texts in different languages and the materiality of the editions: the narratives were bought, sold, read, translated and adapted across European borders, from the south of Spain to Iceland and from Great Britain to Poland. Thus, the study analyses the multi-faceted processes of cultural circulation, translation and adaptation of the texts. In their diverse forms of mediality such as romance, drama, ballad and penny prints, they also make a significant contribution to a European identity in the early modern period. The narrative texts examined here include Apollonius, Septem sapientum, Amadis de Gaula, Fortunatus, Pierre de Provence et la belle Maguelonne, Melusine, Griseldis, Aesopus’ Life and Fables, Reynaert de vos and Till Ulenspiegel.
Violence and the escalation of violence are often linked with emotion and passion. Emotions function to prepare, stir and perform violence, which again stimulates emotions and might lead to a loss of control and (in the case of collective violence) to an intensified coherence of the violent community. Literary or historiographic texts that depic collective violence, functionalise the factor "emotions" in different ways, depending on the respective context: They might serve at justifying violence, or making it plausible, at condemning it, or making it more comprehensible or even enjoyable. This is true both for modern and older accounts. The essays that are collected in the present volume are presented by members of the Giessen research group Communities of Violence and their guests. They ask whether there are perspectives of the emotional side of violence which are specific for certain epoques, and anyalyse medieval and early modern depictions of emotional acts of violance, with a special focus on their contexts, their messages and their aesthetic of reception.
Ausgangspunkt dieses Konferenzbands im Open Access ist die Frage nach den Bedingungen, die dafür verantwortlich zeichnen, dass überhaupt und in welcher Form in der Frühen Neuzeit übersetzt wird. Anders formuliert geht es um die grundsätzliche Frage danach, warum bestimmte Texte, Bilder, Zeichenkomplexe etc. eine Übersetzung erfahren, während andere unübersetzt bleiben (müssen). Welche Faktoren nehmen schließlich – im positiven Fall – Einfluss auf die konkrete Ausgestaltung von Übersetzung im Sinne des Übertragungsprozesses von einem semiotischen und kulturellen System in ein anderes? In diesem Zusammenhang kommt ein doppeltes Politikverständnis zum Tragen: einerseits geraten...
Translated from German, this book examines diverse narratives of infertility and childlessness in vernacular stories, legends, and romances from the Middle Ages.