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Richard Aldrich
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Richard Aldrich
Text by Jay Sanders.
Richard Aldrich
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Richard Aldrich Papers
The "Work files" series includes research materials related to the publication of Aldrich's A catalogue of books relating to music in the library of Richard Aldrich, as well as numerous concert programs, a pair of subject file notebooks, and a scrapbook of clippings containing book reviews and research material.
Intelligence and Government in Britain and the United States
Bringing a dose of reality to the stuff of literary thrillers, this masterful study is the first closely detailed, comparative analysis of the evolution of the modern British and American intelligence communities. Intelligence and Government in Britain and the United States: A Comparative Perspective is an intensive, comparative exploration of the role of organizational and political culture in the development of the intelligence communities of America and her long-time ally. Each national system is examined as a detailed case study set in a common conceptual and theoretical framework. The first volume lays out that framework and examines the U.S. intelligence community. The second volume of...
Richard Aldrich: MDD
For his exhibition at the Museum Dhondt-Dhaenens, Brooklyn-based artist Richard Aldrich (born 1975) presented works spanning his career, that taken together form a web of references to art history, music and autobiography. This book includes Aldrich's texts written between 2004 and 2013.
Lessons from History of Education
14 of Richard Aldrich's key writings. Click on the link below to access this e-book. Please note that you may require an Athens account.
Richard Aldrich and the 19th Century French Painting
Traversing abstraction, drawn or printed text, collage, sculptural effects and humorous figuration, the work of Richard Aldrich (born 1975) constitutes an index of possibilities in painting. Aldrich frequently integrates objects such as canvas scraps or book pages in his works, citing rather than deploying the idea of a picture plane, and also loads his works with literary and personal references. For his first solo museum exhibition at the Contemporary Art Museum St. Louis, Aldrich presents 20 large-scale works alongside paintings by Edouard Vuillard, Pierre Bonnard and the Irish portraitist Sir William Orpen, selected from the Museum's permanent collection. These three nineteenth-century artists have very little in common with Aldrich, and yet are ideally counterpointed against his paintings, refocusing the works of all four in fascinating ways. Published on the occasion of this exhibition, this volume records this exemplarily adventurous exhibition.
