Welcome to our book review site www.go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Richard Shiff: Writing After Art
A broad and deep anthology of critic and art historian Richard Shiff’s most influential writings, which have shaped our understanding of twentieth- and twenty-first-century art. “Elegantly designed as intended for broad readership, including art historians, art critics, artists, among other lovers of art, this volume is a must-read experience with pleasure and discovery." —Phong Bui, The Brooklyn Rail In his engaging and often strikingly deep observations of major modern and contemporary visual art, Shiff has written about an impressive range of artists, including Willem de Kooning, Marlene Dumas, Jasper Johns, Donald Judd, Barnett Newman, Pablo Picasso, and Bridget Riley. A leading sc...
Critical Readings in Impressionism and Post-Impressionism
The essays in this wide-ranging text capture the theoretical range and scholarly rigor of criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art.
Late Thoughts
Collects nine essays that discusses the creativity of influential artists, as well as the legacy of their work following their deaths, and covers Wolfgang Amadeus Mozart, Piet Mondrian, Frank Gehry, and others.
Our Distance from God
His argument unfolds over five case studies and spans four centuries: the architecture and artworks that glorified Louis XIV at Versailles in the seventeenth century, the interaction of libretto and music in Richard Wagner's Ring of the Nibelung, Claude Monet's enormous and resplendent paintings of water lilies mounted at the Orangerie of Paris in 1927, the inaugural performance in 1962 of Benjamin Britten's War Requiem for the consecration of the new Anglican cathedral at Coventry, and Robert Wilson's recent installation based on the Passion, 14 Stations."--BOOK JACKET.
Cézanne's Other
"In the voluminous scholarship that's been written on Paul Cezanne, little has been said about the twenty-four portraits in oil that Cezanne made of his wife, Hortense Fiquet Cezanne, over an extended twenty-year period. In Cezanne's Other: The Portraits of Hortense, Susan Sidlauskas breaks new ground, focusing on these paintings as a group and looking particularly at the differences that render many of them unrecognizable as the same person. She argues that Cezanne sidestepped the conventional goals of portraiture-he avoids representing a consistent, identifiable physiognomy or conventional feminine postures and does not portray the subject's inner life-making lack of fixedness itself his s...
Cubism
This beautifully illustrated volume tells the story of Cubism through twenty-two essays that explore the most significant private holding of Cubist art in the world today, the Leonard A. Lauder Collection, now a promised gift to The Metropolitan Museum of Art. The eighty works featured in this volume—by Georges Braque, Juan Gris, Fernand Léger, and Pablo Picasso‐are among the most important and visually arresting in the movement’s history. These masterpieces, critical to the development of Cubism, include such groundbreaking paintings as Braque’s Trees at L’Estaque, considered one of the very first Cubist pictures; Picasso’s Still Life with Fan: “L’Indépendant,” one of th...
Robert Lehman Lectures on Contemporary Art
A groundbreaking book about Americans searching for faith and mutual respect, The Faith Club weaves the story of three women, their three religions, and their urgent quest to understand one another. After September 11, Ranya Idliby, an American Muslim of Palestinian descent, faced constant questions about Islam, God, and death from her children, the only Muslims in their classrooms. Inspired by a story about Muhammad, Ranya reached out to two other mothers to write an interfaith children's book that would highlight the connections between Judaism, Christianity, and Islam. After just a few meetings, however, the women realized that they themselves needed an honest and open environment where t...
Picturing the New Negro
Chronicles the vibrant partnership between literary and visual African American artists that resulted in the image of the New Negro. In the process, demonstrates that commercial illustration represents the largest and, in some cases, most progressive body of visual art associated with the Harlem Renaissance.
Paint Made Flesh
Paint Made Flesh examines the ways in which European and American painters have used oil paint and the human body to convey enduring human vulnerabilities, among them anxieties about desire, appearance, illness, aging, war, and death. In the tradition of great figure painting stretching back to Rembrandt and Titian, the 34 artists in the exhibition, working in the years since World War II, exploit oil paint's visual and tactile properties to mirror those of the body, while exploring the body's capacity to reflect the soul.Drawn from private and public collections and arranged by chronology and nationality, the 43 paintings in the exhibition reflect a wide range of styles. Strong colors and vigorous brushwork associated with German expressionism give crude life to figures by artists ranging from the San Francisco Bay area painters to a younger generation, including Markus Lüpertz and Susan Rothenberg. Candid depictions of flesh by British painters Francis Bacon and Lucian Freud suggest psychological pain at the margins of society, while paint as skin betrays the inner feelings of Jenny Saville's swollen females.
