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A Death in Shonagachhi: A Novel
A deeply sensitive portrait of life (and death) in a red-light district’ – Tanuj Solanki ‘Addictive and hilarious’ – Avni Doshi 'Takes us deep into the hidden and harsh universes of the layered city of Calcutta’ – Sarnath Banerjee ‘Rijula Das surprises you with everything in this book – the writing, the scenes, the characters, the story’ – Arunava Sinha In the red-light district of Shonagachhi, Lalee dreams of trading a life of penury and violence for one of relative luxury as a better-paid ‘escort’, just as her long-standing client, erotic novelist Trilokeshwar ‘Tilu’ Shau, realizes he is hopelessly in love with her. When a young woman who lives next door to La...
Small Deaths
A staggering debut novel of murder, loyalty, love, and survival at all costs, set in the teeming underbelly of Calcutta's most infamous neighborhood. In Calcutta's notorious red-light district, Lalee aspires to a better life. Her unfailingly loyal client Tilu Shau has dreams too. A heady romantic and marginal novelist, Tilu is in love with the indifferent Lalee and wants to liberate her from her street life with marriage. But when a fellow sex worker and young mother is brutally murdered, the solicitous madam of the Blue Lotus invites Lalee to take the woman's place "upstairs" as a high-end escort. The offer comes with the promise of a more lucrative life but quickly spirals into violence, corruption, and unfathomable secrets that threaten to upset the fragile stability of Lalee's very existence. As Tilu is drawn deeper into his rescue mission, he and Lalee embark on life-altering journeys to escape a savage fate. As much a page-turner as it is poignant, Small Deaths is a brilliantly drawn modern noir that exposes the reality of society's preyed-upon outcasts, their fierce resilience, and the dangerous impediments that stand in the way of their dignity, love, and survival.
Cultural Politics in Modern India
India’s global proximities derive in good measure from its struggle against British imperialism. In its efforts to become a nation, India turned modern in its own unusual way. At the heart of this metamorphosis was a "colourful cosmopolitanism," the unique manner in which India made the world its neighbourhood. The most creative thinkers and leaders of that period reimagined diverse horizons. They collaborated not only in widespread anti-colonial struggles but also in articulating the vision of alter-globalization, universalism, and cosmopolitanism. This book, in revealing this dimension, offers new and original interpretations of figures such as Kant, Tagore, Heidegger, Gandhi, Aurobindo, Gebser, Kosambi, Narayan, Ezekiel, and Spivak. It also analyses cultural and aesthetic phenomena, from the rasa theory to Bollywood cinema, explaining how Indian ideas, texts, and cultural expressions interacted with a wider world and contributed to the making of modern India.
Nabarun Bhattacharya
The book aims to introduce the Bengali writer (1948-2014) to a global audience through some of his short stories and poems in English translation and a series of critical essays on his works. A political commitment to literature frames Nabarun Bhattacharya's aesthetic project and the volume wishes to tease out the various perspectives on this complex meeting of politics and aesthetics. Be it the novel on dogs or those on petro-pollution and the machine, the political question in Nabarun echoes significant contemporary issues, such as animal rights, global warming and techno-capitalism. This opens up the possibility of questioning the traditional paradigm of humanist values in a world of catastrophic and violent encounters such as nuclear war or holocaust, which keeps returning in Nabarun's works.
World Literature and Postcolonial Studies
What is the role of literature in our global landscape today? How do local authors respond to the growing worldwide power of English and the persisting effects of the colonial systems that paved the way for globalization today? These questions have often been approached very differently by postcolonialists and by students of world literature, but over the past two decades, a developing dialogue between these divergent approaches has produced robust scholarship and sometimes fractious debate, as issues of language, politics, and cultural difference have come to the fore. Drawing on a wide variety of cases, from medieval Wales to contemporary Syria and Australia, and on works written in Arabic, Basque, English, Hindi, and more, this collection explores the mutual illumination that can be gained through the interaction of postcolonial and world literary perspectives.
Beyond English
Honorable Mention, Harry Levin Prize, 2022 (American Comparative Literature Association) Beyond English: World Literature and India radically alters the debates on world literature that hinge on the model of circulation and global capital by deeply engaging with the idea of the world and world-making in South Asia. Tiwari argues that Indic words for world (vishva, jagat, sansar) offer a nuanced understanding of world literature that is antithetical to a commodified and standardized monolingual globe. She develops a comparative study of the concept of “world literature” (vishva sahitya) in Rabindranath Tagore's works, the desire for a new world in the lyrics of the Hindi shadowism (chhayavaad) poets, and world-making in Thakazhi Sivasankara Pillai's Chemmeen (1956) and Arundhati Roy's The God of Small Things (1997). By emphasizing the centrality of “literature” (sahitya) through a close reading of texts, Tiwari orients world literature toward comparative literature and comparative literature toward a worldliness that is receptive to the poetics of a world in its original language and in translation.
Beggar's Bedlam
A hilarious and absurdist take on the political landscape of West Bengal, India. Beggar's Bedlam is a surreal novel that unleashes the chaos of the carnival on the familiar. Part literary descendent of Bulgakov's The Master and Margarita and part a reconstruction of lost Bengali history, Nabarun Bhattacharya's masterpiece is a jubilant, fizzing wire of subaltern anarchy and insurrection. Marshall Bhodi Sarkar and his lieutenant Sarkhel surreptitiously dig on the banks of the Ganges River looking for crude oil reserves. Instead, they unearth curved daggers, rusty broadswords, and a Portuguese cannon. Bhodi is an occasional military man and the lead sorcerer of the secret black-magic sect named Choktar. He joins forces with the flying Flaperoos--men with a predilection for alcohol and petty vandalism--to declare outright war against the Marxist-Leninist West Bengal government. In a bloodless revolution that is fascinating in its utter implausibility, a motley crew of yet more implausible characters come together in a magic-realist fictional remapping of Calcutta.
Petites morts à Sonagachi
« Rijula Das décrit un monde sombre où les abus et la mort côtoient l'amour, la loyauté et la grâce. L'histoire est déchirante et merveilleuse à la fois. » Gillian Flynn, autrice de Gone Girl Dans le tristement célèbre quartier rouge de Calcutta, Lalee aspire à une vie meilleure. Son client le plus fidèle, Tilu Shau, écrivain précaire, romantique et rêveur, est fou amoureux d’elle et prêt à tout pour la sortir de sa condition. Lorsqu'une escorte haut de gamme est brutalement assassinée, la patronne du Lotus bleu invite Lalee à prendre sa place – une offre plus lucrative. Mais très vite la situation dégénère. Lalee se voit proposer de travailler avec des clients tr...
