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Moeller conveys the complicated story of how West Germans recast the past after the Second World War. He demonstrates the 'selective remembering' that took place among West Germans during the postwar years: in particular, they remembered crimes committed against Germans.
The Nazi State and German Society invites students to view the history of the twentieth century’s most infamous totalitarian regime through the voices of people who experienced it. Robert Moeller’s comprehensive introduction presents an overview of the Nazi regime, from Weimar to the end of the war, explaining the factors that led millions of ordinary Germans to sacrifice individual rights in the interest of collective goals and national security. The effects of Nazi rule on Aryans, Jews, and other undesirables are explored, along with a discussion of why so few people organized against the regime. Over 50 documents from a broad range of perspectives — including speeches, memoirs, letters, diaries, and propaganda posters — bring this history to life and illustrate the effect of Nazi rule on German society. Document headnotes, a chronology, questions for consideration, and a selected bibliography provide pedagogical support.
Collects important recent essays in a critical reexamination of the Federal Republic's early history
As home to 1920s excess and Hitler's Final Solution, Berlin's physical and symbolic landscape was an important staging ground for the highs and lows of modernity. In Cold War Berlin, social and political boundaries were porous, and the rubble gave refuge to a re-emerging gay and lesbian scene, youth gangs, prostitutes, hoods, and hustlers.
The re-emergence of the issue of wartime suffering to the fore of German public discourse represents the greatest shift in German memory culture since the Historikerstreit of the 1980s. The (international) attention and debates triggered by, for example, W.G. Sebald's Luftkrieg und Literatur, Günter Grass's Im Krebsgang, Jörg Friedrich's Der Brand testify to a change in focus away from the victims of National Socialism to the traumatic experience of the 'perpetrator collective' and its legacies. The volume brings together German, English and Israeli literary and film scholars and historians addressing issues surrounding the representation of German wartime suffering from the immediate post...
Exploring postwar German history, literature and film, this text examines the lives of real people to learn how they experienced and represented the institutions and social forces that shaped their lives and defined the wider culture.
This lively and concise book uses a dual approach to introduce students and non-specialists to Wilhelmine Germany (1888-1918). It surveys social, economic, political, cultural and diplomatic developments in an age of tumultuous upheaval. It also explains why historians have so often reversed the interpretative 'switches' guiding research on this period. By highlighting the breadth of historical change under Wilhelm II and the evolution of opposing viewpoints about its significance, this book provides easy access to an epoch - and a debate - characterised more by controversy than consensus.
Anne Fuchs traces the aftermath of the Dresden bombing in the collective imagination from 1945 to today. As a case study of an event that gained local, national and global iconicity, the book investigates the role of photography, fine art, architecture, literature and film in dialogue with the changing German socio-political landscape.
This is the first book on the giant Nazi leisure and tourism agency, Strength through Joy (KdF). KdF's low cost cultural events, factory beautification programs, organized sports, and, especially, mass tourism became the primary means by which the Nazi regime mitigated the tension between the investment in rearmament and German consumers' desire for a higher standard of living. Strength through Joy mitigated the sacrifices of the present while its programs present visions of a prosperous future once "living space" was acquired. As an agency open to racially acceptable Germans only, it segregated the regime's victims from the Nazi "racial community."
This volume offers a cultural, aesthetic, and critical reappraisal of German 'rubble films' produced in the immediate aftermath of the Second World War and constructs their meaning in a historical context.