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Reflection on the history and practice of art history has long been a major topic of research and scholarship, and this volume builds on this tradition by offering a critical survey of many of the major developments in the contemporary discipline, such as the impact of digital technologies, the rise of visual studies or new initiatives in conservation theory and practice. Alongside these methodological issues this book addresses the mostly neglected question of the impact of national contexts on the development of the discipline. Taking a wide range of case studies, this book examines the impact of the specific national political, institutional and ideological demands on the practice of art history. The result is an account that both draws out common features and also highlights the differences and the plurality of practices that together constitute art history as a discipline.
Hershberger is the winner of a 2015 Insight Award from the Society for Photographic Education for his work on this book and for his overall contributions to the field! Photographic Theory: An Historical Anthology presents a compendium of readings spanning ancient times to the digital age that are related to the history, nature, and current status of debates in photographic theory. Offers an authoritative and academically up-to-date compendium of the history of photographic theory Represents the only collection to include ancient, Renaissance, and 19th-, 20th-, and 21st-century writings related to the subject Stresses the drama of historical and contemporary debates within theoretical circles Features comprehensive coverage of recent trends in digital photography Fills a much-needed gap in the existing literature
It's the early 1980s, and a household of lesbian feminists establish a women-only commune in an ancient Californian redwood forest. It seems a perfect place to practice the ritual magic that helps them function harmoniously as a group – even if they aren't all true believers. By getting back to the land, they can also live more as nature intended and give the finger to the Patriarchy. That doesn't stop jealousies arising, as Wren, an artist, nurses an unrequited crush on Robin, the land's extraordinarily generous owner. Further conflict brews as Gloria, the manipulative leader of the group, disagrees with Robin about her own rule: no men on the land. Warm, funny and harking unashamedly back to a less toxic era, A Circle Outside is a seductive vision of a utopian dream, where the only real magic is self-transformation.
As anyone who has wielded a camera knows, photography has a unique relationship to chance. It also represents a struggle to reconcile aesthetic aspiration with a mechanical process. Robin Kelsey reveals how daring innovators expanded the aesthetic limits of photography in order to create art for a modern world.
Essays and interviews explore the work of Carrie Mae Weems and its place in the history of photography, African American art, and contemporary art. In this October Files volume, essays and interviews explore the work of the influential American artist Carrie Mae Weems—her invention and originality, the formal dimensions of her practice, and her importance to the history of photography and contemporary art. Since the 1980s, Weems (b. 1953) has challenged the status of the black female body within the complex social fabric of American society. Her photographic work, film, and performance investigate spaces that range from the American kitchen table to the nineteenth-century world of historic...
Building on the phenomenally successful "What Would Jesus Do?" movement, this book from the award-winning author of the "Pocket Full of . . ".. series will help parents bring Jesus' example into their children's lives every day. Includes weekly themes, family activities, and more. Available now.
Is Landscape . . . ? surveys multiple and myriad definitions of landscape. Rather than seeking a singular or essential understanding of the term, the collection postulates that landscape might be better read in relation to its cognate terms across expanded disciplinary and professional fields. The publication pursues the potential of multiple provisional working definitions of landscape to both disturb and develop received understandings of landscape architecture. These definitions distinguish between landscape as representational medium, academic discipline, and professional identity. Beginning with an inquiry into the origins of the term itself, Is Landscape . . . .? features essays by a dozen leading voices shaping the contemporary reading of landscape as architecture and beyond.
"Published to accompany an exhibition of the same name at the Art Institute of Chicago, Oct. 22, 2011-Jan. 15, 2012 and the Nelson-Atkins Museum of Art, Apr. 12-Aug. 26, 2012"--T.p. verso.
Ginger receives a less-than-enthusiastic welcome from Craig Cameron, the owner of the ranch where she has recently taken a job as a cook. In the weeks that follow, Ginger and Craig fight their attraction to one another. But when financial problems threaten the future of the ranch, the two band together to find a way to keep it--in the process, finding a love stronger than either had dreamed possible.
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