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The book reveals how the fantastic is used in modern theatre as a manipulative device to encode the unspeakable and control audience response, challenging conventional readings of all authors who use the fantastic.
Why are fictional females violently attacked and ultimately eliminated in nineteenth- and twentieth-century texts written by male authors? A specific and widespread pattern not only determines the fate of heroines in French fiction, but also affects us today. What leads a poet, a novelist and a playwright all in the same chilling direction? The connection between the artistic role of the fictional female and her untimely death is given in the analysis of Baudelaire, Zola, and Cocteau. This book demonstrates how and why women are «set up» to be sacrificed in a ritual that involves the very notions of gender and identity.
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Vols. 8-10 of the 1965-1984 master cumulation constitute a title index.
Presents alphabetized profiles of nearly seven hundred significant poets from around the world, providing biographies, primary and secondary bibliographies, and analysis of their works.
The focus of this volume is the book production of the Frankish regions of Western Europe in the early Middle Ages. By means of a detailed scrutiny of individual manuscripts, groups of manuscripts, and categories of texts, Dr McKitterick shows how they can be used to throw light on questions such as women and literacy, the knowledge of canon and secular law, and the English contribution to the religious culture of the Continent . Some of the studies are more concerned with palaeography and the achievements of particular scriptoria; studies; others look primarily at the fact of production, the dissemination of the texts, and their implications for intellectual and cultural history. Au centre ...
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