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In contrast to buildings divided by walls, monospace buildings are determined far less by its shell than by a reciprocal relationship between space and practices, objects, materials, and human bodies. Using the example of such one-room-architectures, this book explores the potential of an actor-network-theory (ANT) approach to space in the field of architecture. Sabine Hansmann focuses on the Sainsbury Centre for Visual Arts in Norwich, England by Foster Associates (1978) to investigate the mutual entanglement of people, objects and building. She traces the work that is necessary in »doing« space and thus suggests a re-conceptualisation of space in architectural theory.
The artist, dancer and educator Suzanne Harris (1940-79) was a protagonist of the downtown New York City artists’ community in the 1970s. With her boundary-transgressing practice, she played a decisive part in avant-garde projects, such as the Anarchitecture group, 112 Greene Street, FOOD, and the Natural History of the American Dancer. Harris furthermore participated in the Heresies editorial collective. Nevertheless, her own oeuvre fell into abeyance. Friederike Schäfer reconstructs Harris’s dispersed, postminimalist body of work, which broke the mold of art categories, art practices, art spaces, and the common notion of space. The author draws on post-Marxist feminist theory to trace how Harris transcended both sculpture and dance to create site-specific, ephemeral installations. Recipient of the Terra Foundation for American Art International Publication Grant 2021 Look Inside
New laboratory buildings are currently being planned all around the world. Are they different from or even better than their predecessors? To answer this question, the authors of this book have journeyed into the past and present of laboratory architecture. They discuss the images of the research scientist and the laboratory that have been purveyed since the natural sciences were institutionalised in the nineteenth century. They also examine contemporary architectural solutions in the light of influential laboratory architectures of the latter half of the twentieth century, thereby discovering a great variety of approaches, historical and contemporary - for both the functional interrelation of spaces and the tension between symbolic façades and internal structures can take very different forms.
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This festschrift contains 17 papers on the impact of CD-ROM technology: (1) "CD-ROM and Access to Information in the South" (Abdelaziz Abid); (2) "CD-ROM and Bridging of Cultural and Technological Gaps in Developing Countries" (Shmuel Sever); (3) "Electronic Publishing Developments and Opportunities from OCLC" (Janet Mitchell); (4) "Science Citation Index Print and CD--The Best of Both Worlds from ISI" (Heather Taylor); (5) "The Forgiving Building Revisited" (Anders C. Dahlgren); (6) "How Will CD-ROM Affect the Cooperation within Library Networks?" (Hans-Albrecht Koch); (7) "Beyond Online? Interactive Public Access to Library Files via CD-ROM" (Heiner Schnelling); (8) "Electronic Library? Th...
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