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The New Negro
The definitive biography of Alain Locke, the first African American Rhodes Scholar and Harvard PhD in philosophy, Howard University philosophy scholar, and architect of the Harlem Renaissance, who mentored a generation of artists including Langston Hughes and Zora Neale Nurston and promoted the work of African Americans as the quintessential creators of American modernism. This biography explores his professional and private life, including his relationships with white patrons and his lifelong search for love as a gay man.
Expanding Diasporic Identity
This study examines the changing dynamics of the “Italian” writer and how we, as cultural critics, need to re-think our definitions of the new Italian writer. In so doing, we must also re-consider the notion of the geo-cultural zones that we characterize as “Italian.” Namely, how do we categorize that writer who, having left Italy and now living beyond its geo-cartographic boundaries, writes in Italian? Similarly, who is that other writer who, originating from another country that is both culturally and linguistically different from Italy, writes in Italian? Finally, where within these two groups do we position the writer of Italian origin who also lives in another country and, diffe...
International Workshop on Finite Elements for Microwave Engineering
When Courant prepared the text of his 1942 address to the American Mathematical Society for publication, he added a two-page Appendix to illustrate how the variational methods first described by Lord Rayleigh could be put to wider use in potential theory. Choosing piecewise-linear approximants on a set of triangles which he called elements, he dashed off a couple of two-dimensional examples and the finite element method was born. Finite element activity in electrical engineering began in earnest about 1968-1969. A paper on waveguide analysis was published in Alta Frequenza in early 1969, giving the details of a finite element formulation of the classical hollow waveguide problem. It was foll...
The Makings and Unmakings of Americans
Challenges the myth of the United States as a nation of immigrants by bringing together two groups rarely read together: Native Americans and Eastern European immigrants In this cultural history of Americanization during the Progressive Era, Cristina Stanciu argues that new immigrants and Native Americans shaped the intellectual and cultural debates over inclusion and exclusion, challenging ideas of national belonging, citizenship, and literary and cultural production. Deeply grounded in a wide-ranging archive of Indigenous and new immigrant writing and visual culture--including congressional acts, testimonies, news reports, cartoons, poetry, fiction, and silent film--this book brings togeth...
Mothers, Mobility, Narrative
Shows how US literary representations of mothering across racial, ethnic, and LGBTQ communities challenge ideological prescriptions about motherhood and maternal love. Mothers, Mobility, Narrative pairs women-identified writers whose work illuminates a range of maternal practices in the face of egregious structural inequalities and obstacles. By using the critical lens of maternal feminism, alongside recent theories of time, space, and memory, Mary Jo Bona reengages the field of motherhood studies to explore linkages between motherhood and movement. Across genres, Harriet Jacobs, Willa Cather, Toni Morrison, Audre Lorde, Kym Ragusa, Carole Maso, Cristina García, and Rebecca Makkai develop maternal figures who, in battling against institutional oppressions in eras of slavocracy, colonialism, dictatorship, and pandemic, expose the fundamentally intersectional nature of social categorization and disrupt traditional discourses of the maternal. Mothers, Mobility, Narrative rethinks maternality across a century and a half of literary expression in the United States, compelling readers to embrace more capacious understandings of maternal subjectivity, care, and kinship.
Precarity in Culture
The present state of research in precarity demands meta-questions and hence we need to probe both philosophy and practice in light of precarity’s different manifestations. The plural perspectives by which this phenomenon can be addressed also suggest potential for further theorization alongside that of Butler and her critics. By inviting scholars and experts from different fields and disciplines, and by applying multiple frameworks, methodological approaches, and critical lenses, this volume seeks to explore the different facets of our precarious world, while providing insights into the challenges of our possible futures.
Performing Gender and Violence in Contemporary Transnational Contexts
Acknowledgements — Preface by Maria Anita Stefanelli — 1. Making Visible. Theatrical Form as Metaphor: Marina Carr and Caryl Churchill by Cathy Leeney — 2. Obscene Transformations: Violence, Women and Theatre in Sarah Kane and Marina Carr by Melissa Sihra — 3. Can the Subaltern Dream? Epistemic Violence, Oneiric Awakenings and the Quest for Subjective Duality in Marina Carr’s Marble - Interview with Marina Carr - Excerpt from Marble by Marina Carr by Valentina Rapetti — 4. “The house is a battlefield now”: War of the Sexes and Domestic Violence in Van Badham’s Kitchen and Warren Adler’s The War of the Roses - Interview with Van Badham - Excerpt from Kitchen by Van Badham ...
Re-mapping Italian America
Literary Nonfiction. Italian Studies. Art. Essays. Edited by Sabrina Vellucci and Carla Francellini. In the last three decades, Italian/American culture has at last experienced a veritable renaissance and has begun to be studied from diasporic, transnational, trans-lingual, and global perspectives by a growing number of scholars on both sides of the Atlantic. Working from an interdisciplinary standpoint, and taking as basis the latest developments in the field, the essays in this volume are meant as a contribution to the ongoing, collective effort at expanding and updating knowledge concerning Italian/American literature, cinema, and culture in their various articulations. They explore the e...
Inventing Modern Adolescence
Annotation Sarah E. Chinn follows the roots of American teenage identity further back, to the end of the nineteenth and beginning of the twentieth centuries. She argues that the concept of the "generation gap"--A stereotypical complaint against American teens-actually originated with the division between immigrant parents and their American-born or -raised children. Melding an urban immigrant sensibility with commercialized consumer culture and a youth-oriented ethos characterized by fun, leisure, and overt sexual behavior, these young people formed a new identity that provided the framework for today's concepts of teenage lifestyle.
