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Rooted in a range of approaches to the reception of classical drama, the chapters in this book reflect, in one way or another, that Greek and Roman drama in performance is an ongoing dialogue between the culture(s) of the original and the target culture of its translation/adaptation/performance. The individual case studies highlight the various ways in which the tradition of Greek and Roman plays in performance has been extremely productive, but also the ways in which it has engaged, at times dangerously, in political and social discourse.
Considering the current climate of the treatment of women in Hollywood following the Harvey Weinstein case, many male celebrities have been brought forward on charges of sexual harassment, including Woody Allen, who has once again appeared in the press in relation to historic charges of molestation. Within the context of the #MeToo era, this edited volume brings together researchers to consider how women are represented in the broader sphere of Hollywood cinema, to consider the notion of the male perspective on writing women, and to explore the various approaches to relationships with and between women on screen, all through the lens of the work of Woody Allen. While acknowledging the problematic consideration of the autobiographical nature of filmmaking, this book explores the role and representation of women throughout Allen's films, plays, stand-up comedy, and other writings. With more recent industrial attention towards the production of his work (notably Amazon Studios refusing to distribute a completed film), the work of Woody Allen remains markedly problematic and demands interrogation, demonstrating the timeliness of this current volume.
Emmanuel Levinas (1906-1995) emerged as an influential philosophical voice in the final decades of the twentieth century, and his reputation has continued to flourish and increase in our own day. The essays in the present volume aim to clarify central themes of his work, from the primacy of ethics to his interest in time and history and especially his conception of the role of the face-to-face encounter and interpersonal responsibility. They also deal with a host of ways in which his work has been appropriated and applied and the central figures who influenced him and to whom he responded.
Proposing a relationship between Levinasian ethics and film style, and bringing it into a productive dialogue with theories of performativity, this book explores this influence through three directorial bodies of work: those of Barbet Schroeder, Paul Schrader and the Dardenne Brothers.
Over a career that has spanned more than six decades, Woody Allen has explored the emotion of regret as a response to the existentialist dilemma of not being someone else. Tracing this recurrent theme from his stand-up comedy routines and apprentice work through classics like Annie Hall, Manhattan, The Purple Rose of Cairo, Hannah and Her Sisters, and Bullets Over Broadway as well as less esteemed accomplishments (Another Woman, Sweet and Lowdown, Cassandra's Dream), this volume argues that it is ultimately the shallowness of his protagonists' regret—their lack of deeply felt, sustained remorse—that defines Allen's pervasive view of human experience. Drawing on insights from philosophy, ...
Woody Allen has accomplished that which no American filmmaker in the modern era has or perhaps ever will: directing to date 49 films (47 full-length theatrical releases, 1 short film in an anthology, and 1 television film), writing 42 of those films (and co-writing the remaining 7) and acting in 29 of them. Collectively, these films have earned Allen 4 Oscars (1 for Best Director; 3 for Best Screenplay), as well as another 6 Academy Award nominations for Best Director, 13 for Best Screenplay and 1 for Best Actor. Actors, members of his film staff, and his producers have received 7 Oscars and another 20 nominations. All told, his films have garnered 132 awards and another 209 nominations from American and international bodies. Historical Dictionary of Woody Allen contains a chronology, an introduction, a filmography, an appendix, and an extensive bibliography. The dictionary section has over 600 cross-referenced entries on the actors, actresses, cinematographers, editors, designers, and producers he’s worked with as well as his films and awards. This book is an excellent resource for students, researchers, and anyone wanting to know more about Woody Allen.
"Examines in rich detail the daily lives of pioneer women". -- Journal of American History. "Anyone interested in women's history and western history will want to read this". -- Pacific Historical Review. Copyright © Libri GmbH. All rights reserved.
This book convincingly shows that the United States should adopt multiculturalism so that it doesn't become monoculturally provincial in a global society, and so that it can survive in the twentieth century as a democratizing force rather than a future Bosnia. The book is divided into two sections: (1) "Theories and Issues in Multiculturalism"; and (2) "Multicultural Dialogicalism: Personal Examples." Essays are as follows: (1) "Getting it: Multiculturalism and the Politics of Understanding" (Dennis Fischman); (2) "Metaphor, Language, Games, Cultures" (Eric Hyman); (3) "Shattered Images: From Consensus to Contention in Classic American Film" (Sam B. Girgus); (4) "Literacy, Culture, and the C...
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