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An Analysis of Sandra M. Gilbert and Susan Gubar's The Madwoman in the Attic
The 1979 publication of Susan Gubar and Sandra M. Gilbert’s ground-breaking study The Madwoman in the Attic marked a founding moment in feminist literary history as much as feminist literary theory. In their extensive study of nineteenth-century women’s writing, Gubar and Gilbert offer radical re-readings of Jane Austen, the Brontës, Emily Dickinson, George Eliot and Mary Shelley tracing a distinctive female literary tradition and female literary aesthetic. Gubar and Gilbert raise questions about canonisation that continue to resonate today, and model the revolutionary importance of re-reading influential texts that may seem all too familiar
On Burning Ground
The highly esteemed literary critic and poet Sandra M. Gilbert is best known for her feminist literary collaborations with Susan Gubar, with whom she coauthored The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination, as well as the three-volume No Man's Land: The Place of the Woman Writer in the Twentieth Century. The essays assembled in On Burning Ground display Gilbert's astonishing range and explore poetics, personal identity, feminism, and modern and contemporary literature. Among the pieces gathered here are essays on D. H. Lawrence, Robert Lowell, Sylvia Plath, and Louise Glück, as well as reviews and previously unpublished articles. Sandra M. Gilb...
Acts of Attention
In the Preface to this second edition of her first book, Sandra M. Gilbert addresses the inevitable question: "How can you be a feminist and a Lawrentian?" The answer is intellectually satisfying and historically revealing as she traces an array of early twentieth-century women of letters, some of them proto-feminists, who revered Lawrence despite his countless statements that would today be condemned as "sexist." H.D. regarded him as one of her "initiators" whose words "flamed alive, blue serpents on the page." Anais Nin insisted that he "had a complete realization of the feelings of women." By focusing on Lawrence’s own definition of a poem as an "act of attention," Gilbert demonstrates how he developed the mature style of Birds, Beasts and Flowers, his finest collection of poetry. She discusses this volume at length, examines many of his later poems in detail, including the hymns from The Plumed Serpent, Pansies, Nettles, and More Pansies, and ends with a close look at Last Poems. Her detailed examination provides a clearer image of Lawrence as an artist—an artist whose poetry complements his novels and whose fiction enriches but does not outshine his poetry.
Emily's Bread
Poems explore women's heritage, growth, traditional images of women, the role of the poet, the past, myths, marriage, and symbolism
Gilbert and Gubar's The Madwoman in the Attic After Thirty Years
Published in 1979, Gilbert and Gubar's The Madwoman in the Atticwas hailed as a pathbreaking work of criticism. This thirtieth-anniversary collection adds both valuable reassessments and new readings and analyses. The authors take as their subjects specific nineteenth- and twentieth-century women writers, the state of feminist theory and pedagogy, genre studies, film, race, and postcolonialism, with approaches ranging from ecofeminism to psychoanalysis.
Judgment Day
Bringing together physical and metaphysical, elegy and celebration, Judgment Day is rich with grace and insight. In this rapacious world, we eat or are eaten—so poet-critic Sandra M. Gilbert suggests throughout Judgment Day, her tenth collection of poems. Tracing this theme through the range of histories that make us who we are—private, public, religious, artistic, even culinary—Gilbert meditates on recent events as well as the sacred turnings of time, great works of graphic art, and the personal crises that continually reshape our lives.
Kissing the Bread
Encompassing three decades of distinguished work, a remarkable anthology presents a selection of poetry from The Fourth World, Emily's Bread, Blood Pressure, and Ghost Volcano, as well as an array of recent works exploring the themes of grief, survival, and regeneration. Reprint.
Death's Door
Explores modern humanity's relationship with death as reflected in literature, history, and society, evaluating how perceptions about death and the experience of grief have changed, citing the influence of such events as Hiroshima, the Holocaust, and theSeptember 11 attacks.
Making Feminist History
First published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.
Aftermath
"Sandra Gilbert's poems are beautifully situated at the intersection of craft and feeling." Billy Collins"
