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Something More than Night
Anno Dracula author Kim Newman reimagines the lives of Raymond Chandler and Boris Karloff with his signature wit in this gripping and horrifying tale of late 1930s Hollywood Hollywood, the late 1930s. Raymond Chandler writes detective stories for pulp magazines, and drinks more than he should. Boris Karloff plays monsters in the movies, and is a genial, cricket-playing member of the British filmland colony on the shores of the Pacific. Both understand that these streets are dark with something more than night. Together, these English public school men in exile investigate mysterious matters in a town run by human and inhuman monsters. Under Home House, the mock gothic mock mansion of a film ...
Race, Class, and Gender in "Medieval" Cinema
The medieval film genre is not, in general, concerned with constructing a historically accurate past, but much analysis nonetheless centers on highlighting anachronisms. This book aims to help scholars and aficionados of medieval film think about how the re-creation of an often mythical past performs important cultural work for modern directors and viewers. The essays in this collection demonstrate that directors intentionally insert modern preoccupations into a setting that would normally be considered incompatible with these concepts. The Middle Ages provide an imaginary space far enough removed from the present day to explore modern preoccupations with human identity.
Currents of Comedy on the American Screen
This book analyzes the evolution of film and television comedy from the 1930s through the present, defining five distinct periods and discussing the dominant comedic trends of each. Chapters cover the period spanning 1934 to 1942, defined by screwball comedies that offered distraction from the Great Depression; the suspense comedy, reflecting America's darker worldview during World War II; the 1950s battle-of-the-sexes comedy; the shift from the physical, exaggerated comedy of the 1950s to more realistic plotlines; and the new suspense comedy of the 1970s and 1980s, focusing on the popular "dumb cop" or "dumb spy" series along with modern remakes including 2006's The Pink Panther and 2008's Get Smart.
Louis Armstrong
Louis Armstrong was not only a virtuoso musician, singer, composer and actor, but also a dedicated writer who typed hundreds of letters and reminiscences, carrying a typewriter with him on his constant travels around the globe. The man never stopped creating, and constantly communicated with friends and acquaintances. His unique verbal, musical and visual content and style permeated everything he touched. Included in this extensive career biography are the major events of his life, his artistic innovations and cultural achievements, a detailed survey of his recordings and live performances, and in-depth discussions of his screen performances--not only his Hollywood feature film appearances, but his performances in short films, European concert films, and dozens of television shows broadcast from Hollywood, New York and Europe.
The Body Snatcher: Cold-Blooded Murder, Robert Louis Stevenson and the Making of a Horror Film Classic
In 1994, historian Scott Allen Nollen published the critically acclaimed Robert Louis Stevenson: Life, Literature and the Silver Screen, the only volume dedicated to screen adaptations of the prolific Scottish author's work. The Body Snatcher provides the same expansive treatment for this classic 1945 "historical horror" film. Opening with a foreword by Gregory William Mank, Nollen includes a detailed history of the serial murders committed by the infamous Burke and Hare in 1828 Edinburgh, a biography of Stevenson, his writing of the 1881 short story "The Body-Snatcher," an account of the making, exhibition and reception of the Val Lewton film. a historical and critical analysis of the film,...
Library Journal
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To the President
A Book-of-the-Month Club selection.
