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Co-winner of the Canadian Political Science Association Prize in Comparative Politics of the Canadian Political Science Association The Party Family explores the formation and consolidation of the state in revolutionary China through the crucial role that social ties—specifically family ties—played in the state's capacity to respond to crisis before and after the foundation of the People's Republic of China. Central to these ties, Kimberley Ens Manning finds, were women as both the subjects and leaders of reform. Drawing on interviews with 163 participants in the provinces of Henan and Jiangsu, as well as government documents and elite memoirs, biographies, speeches, and reports, Manning...
This book assembles translations of the work of leading critical socialist feminist Song Shaopeng, presenting a concise narrative which theorizes China’s political and social development through a gendered lens. Providing insightful editor introductions, the book explores poignant themes from the late imperial to the contemporary eras to examine the evolution of Chinese socialist feminism. This includes analysis of the relationship between the party-state and the women’s movement, the gains and losses of collectivism for women’s liberation, and the inadequacy of contemporary gender studies in China at addressing the ongoing influence of political economy on the lives of women in China. Offering a succinct exploration of the historical and theoretical context of Song Shaopeng’s writings, this book will be a valuable resource for students and scholars of Chinese history and politics, as well as those of Chinese feminism and intellectual history.
This book examines the institutional development of Chinese sociology from the 1890s to the present. It plots the discipline’s twisting path in the Chinese context, from early Western influences; through the institutionalization of the discipline in the 1930s-40s; its problematic relationship with socialism and interruptions under Marxist orthodoxy and the Cultural Revolution; its revival during the 1980s-90s; to the twin trends of globalization and indigenization in current Chinese sociological scholarship. Chen argues that in spite of the state-building agenda and persistent efforts to indigenize the discipline, the Western model remains pervasively influential, due in large part to the ...
Blending archival work, ethnography, and cultural analysis with memoir, graphic arts, and science fiction, Queer Chimerica unpacks the ways in which the transnational circulation of queer culture, politics, and institutions are structured through the antagonist interdependence of China and the United States. By examining the intersecting timelines of the rise of queer theory and the rise of China in the late Cold War era, Shana Ye explores the relationship between the discourse of queer fluidity and capital’s demands for labor flexibility. Drawing on rare archival material and oral historical accounts of queer life from the 1950s to the late 2010s, the author shows how these accounts make ...
Great transformations are reshaping human life, social institutions, and the world around us, raising profound questions about our fundamental values. We now have the knowledge and the technical expertise, for instance, to realize a world in which no child needs to go to bed hungry—and yet, hunger persists. And although the causes of planetary climate disruption are well known, action of the scale and resolution needed to address it remain elusive. In order to deepen our understanding of these transformations and the ethical responses they demand, considering how they are seen from different civilizational perspectives is imperative.Acknowledging the rise of China both geopolitically and c...
From start-up founders in the Chinese equivalent of Silicon Valley to rural villages experiencing an e-commerce boom to middle-class women reselling luxury goods, the rise of internet-based entrepreneurship has affected every part of China. For many, reinventing oneself as an entrepreneur has appeared to be an appealing way to adapt to a changing economy and society. Yet in practice, digital entrepreneurship has also reinforced traditional Chinese ideas about state power, labor, gender, and identity. Lin Zhang explores how the everyday labor of entrepreneurial reinvention is remaking China amid changing geopolitical currents. She tells the stories of people from diverse class, gender, and ag...
Winner, 2023 Harry Levin Prize, American Comparative Literature Association Beginning in the late Qing era, Chinese writers and intellectuals looked to India in search of new literary possibilities and anticolonial solidarity. In their view, India and China shared both an illustrious past of cultural and religious exchange and a present experience of colonial aggression. These writers imagined India as an alternative to Western imperialism—a Pan-Asian ideal that could help chart an escape route from colonialism and its brutal grasp on body and mind by ushering in a new kind of modernity in Asian terms. Gal Gvili examines how Chinese writers’ image of India shaped the making of a new lite...
This book, a collection of ancient Chinese cultural relics from the Northern and Southern Dynasties from 960 to 1279. It covers jade and bronze ware, gold and silver ware and porcelain ware, pottery, porcelain, painting, calligraphy, and handicrafts. There are 363 relics in the book. In 960, Zhao Kuangtin, commander of the imperial guard troops of the later Zhou Dynasty staged a mutiny at Chenqiao and proclaimed himself emperor. He named his new dynasty the Song Dynasty and chose Dongling Kaifeng for the capital. This dynasty now called the Northern Song in history, gradually eliminated rival regimes and ended the separation of the Five Dynasties and Ten Kingdoms, co-existing with the Liao R...
Zhao Mengfu has enormous significance for Chinese art history. This work presents a new, synthetic portrait of the artist's development from the 1280s to his death in 1322, and evaluates his pivotal role in the social-political context in Yuan China as well as the development of the artist's self-consciousness. Shane McCausland's study features detailed interpretations of pictorial forms in light of historical changes, and close readings of critical colophons, many of whic are appended to artworks but neglected as visual sources. These readings are meant to stimulate visual analysis of the oeuvre as well as debate about the use of Tang (618-907) and other period modes as models for the 'Yuan...
During the Northern Song dynasty (960-1126), new ground was broken in aesthetic thought, particularly in the fields of art collecting, poetry criticism, connoisseurship of flowers, and the song lyric. Collectively these activities constitute much of what was distinctive about Northern Song culture. Yet the subjects treated here were unprecedented when they appeared; consequently, bold exploration was coupled with anxiety about the worth of these interests, especially given the Confucian biases against these pursuits. Despite differences in each area, certain overarching themes surface repeatedly. Together, these interests and choices suggest a logic behind the new directions of literati culture in the Northern Song. By focusing on the "problem of beauty," the author calls attention to the difficulties that Northern Song innovators faced in justifying these new pursuits.