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An investigation of the myth, history, inscriptions, architecture, sculpture, painting, iconological program, festival, rituals and theater of the only known intact ancient dragon king temple in China
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Sherman E. Lee's A History of Far Eastern Art, for decades regarded as the premier compendium of the visual arts of Asia, is the only book of its scope in English -- a one-volume account that covers art from the Indus River to Japan and Java between the fifth millennium B.C.E. and 1850 C.E. It offers a clear and comprehensive study of the three major artistic traditions of Asia -- Indian, Chinese, and Japanese -- as well as a cogent overview of their interrelationships and their influences on, and from, the neighboring traditions of Southeast Asia and Indonesia, Central Asia, and Korea. Copious illustrations reveal the evolution of styles and artistic traditions, providing in themselves an unrivaled panorama of Asian achievement in art. This new edition of A History of Far Eastern Art takes full account of the astonishing recent archaeological discoveries, as these have confirmed, modified, or overturned previous interpretations. Many of these new finds are included among the hundreds of reproductions.
One of the untold stories of the American military occupation of Japan, from 1945 to 1952, is that of efforts by the Arts and Monuments Division of the Supreme Commander for the Allied Powers (SCAP), for the preservation of Japan’s cultural heritage. While the role of Allies after WWII in salvaging the cultural heritage of Europe has recently become better known, not much is written of the extraordinary vision, planning and endeavors by curators and art specialists embedded in the US military and later based in Tokyo, and their peers and political masters back in Washington D.C. - all of whom ensured that defeated Japan’s cultural heritage was protected in the chaos and misery of post-war years.