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Visual Rhetorics of Communist Romania: Life under the Totalitarian Gaze offers personal accounts and theoretical insight into the Cold War era when little information about life beyond the Iron Curtain could transpire to the West. Adriana Cordali develops a unique visual rhetorical theory for analyzing communist totalitarian propaganda and the resistance to it, and reveals the deliberate, strategic in/visibilities the rhetoric of power engaged in. Building upon the local history, ideology, and politics of the regime imposed after WWII, she identifies propaganda’s rhetorical features, visual tropes, and symbols and examines striking photographs and print materials from Ceaușescu’s regime (1966-1989) and the time of regime change (1989-1990), as well as an award-winning Romanian film that depicts women’s life at the time. Converging visual rhetoric and culture with history and politics, Visual Rhetorics of Communist Romania is a first book of this kind and will interest readers of rhetoric and communication, visual rhetoric, and political discourse in the region.
Inspired by true events, Naomi Ragen's The Enemy Beside Me is a powerful, provocative novel about two people fighting for reconciliation over unforgivable crimes of the past. Taking over from her father and grandfather as the head of the Survivor’s Campaign, an organization whose purpose is to bring Nazi war criminals to justice, Milia Gottstein has dedicated her life to making sure the voices of Holocaust victims will never be silenced. It is an overwhelming and heartbreaking mission that has often usurped her time and energy being a wife to busy surgeon Julius, and a mother and grandmother. But now, just as she is finally ready to pass on her work to others, making time for her personal ...
Hero–or Nazi? Silvia Foti was raised on reverent stories about her hero grandfather, a martyr for Lithuanian independence and an unblemished patriot. Jonas Noreika, remembered as “General Storm,” had resisted his country’s German and Soviet occupiers in World War II, surviving two years in a Nazi concentration camp only to be executed in 1947 by the KGB. His granddaughter, growing up in Chicago, was treated like royalty in her tightly knit Lithuanian community. But in 2000, when Silvia traveled to Lithuania for a ceremony honoring her grandfather, she heard a very different story—a “rumor” that her grandfather had been a “Jew-killer.” The Nazi’s Granddaughter is Silvia’...
History is full to the brim with untold tales of heroics and villainy, gruesome battles, hilarious happenings and downright bizarre coincidences. Meet the war veteran who lost an eye and amputated his own fingers. Discover the original Die Hards, whose bravery would put even Bruce Willis to shame. Just who stole the still-missing Irish crown jewels and how did Adeline, Countess of Cardigan, scandalise society so completely? In Lessons from History, Alex Deane takes us on an uproarious romp through the tales you didn't hear at school. With stories ranging from the little-known characters who played their vital parts in the world's most famous wars to the remarkable adventures of figures across the centuries, to events so extraordinary as to be almost – almost – unbelievable, this book proves that fact is almost always wilder than fiction. Bringing these stories joyfully and often poignantly back to life, Deane finally shines a light on the tales lost to history, and on what we might learn from them today.
Yellow Star, Red Star asks why Holocaust memory continues to be so deeply troubled—ignored, appropriated, and obfuscated—throughout Eastern Europe, even though it was in those lands that most of the extermination campaign occurred. As part of accession to the European Union, Jelena Subotić shows, East European states were required to adopt, participate in, and contribute to the established Western narrative of the Holocaust. This requirement created anxiety and resentment in post-communist states: Holocaust memory replaced communist terror as the dominant narrative in Eastern Europe, focusing instead on predominantly Jewish suffering in World War II. Influencing the European Union's own...
On the night of her final performance, Opera Diva Carmen Dellamorte, famous for her passion of Tarot cards, staggers onto the Chicago Lyric Opera House stage and dies. Is it the curse of Macbeth or a malevolent plot to dethrone the queen? Alexandria Vilkas, Chicago reporter, does more than write the supernatural. She peeks behind the viel of death to investigate murders of the paranormal, solving the mysterious death of a Diva is the first step on her journey. Around the world, enthusiasts and masters of the Tarot look to these popular cards for guidance and divination. The deck begins with the Fool, representing the Uninitiated Person beginning a journey consisting of 22 phases, coinciding with the archetypical characters and themes of the Major Arcana, otherwise known as the Greater Secrets.
Some 80 years after the end of World War two and Nazi Germany’s attempt to annihilate European Jews and the Jewish culture, the story of the Holocaust continues to be told in novels, paintings, music, sculpture and film. Over the past eight decades, close to a thousand documentaries, narrative shorts and features, television miniseries and filmed statements from survivors, have confronted the horrors of the past, creating a recognizable iconography of persecution, suffering, and genocide. While arguably, movies and television have a tendency to overly simply, if not trivialize, historical events, popular culture artists also keep the past from being forgotten. Historical Dictionary of Holocaust Cinema, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 175 cross-referenced entries on films, directors, and historical figures. Foreign-language, experimental, and canonical films are included. This book is an excellent resource for students, researchers, and anyone wanting to know more about holocaust cinema.
This book explores the securitization of memory in times of crisis using overlooked cases from the Global South and the Global North. Instead of focusing exclusively on national identities and state actors, it explores various identities, including substate and transnational actors, and their role in “defending memory” during times of crisis. Embracing a broad definition of conflict that includes mnemonic, societal and armed conflicts, the expert contributors engage with political trauma, demonstrating its power to evoke commemorations and other shared practices of collective remembrance, shaping and perpetuating collective memory, the construction of national and transnational identities, national interests and foreign policy behaviors. The book contributes to the fields of memory and trauma studies and ontological security in international relations. It will also be of interest to scholars and students of political science, sociology, international relations, history, nationalism and identity, international studies, cultural geography, social psychology, cultural studies and anthropology.
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