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Fractured Bliss
The plot is situated in twentieth-century Sri Lanka. Th e protagonist is a Sri Lankan woman of a mixed racial origin (Eurasian) who grew up as an orphan at a time when the island was transitioning from colonial rule to independence. Her background, her marriage, and later her change of religious identity represent a slice of the emerging ethnic complexity on the island. She not only witnesses close-up the tragedies that occur in independent Sri Lanka in the form of Janatha Vimukti Perumuna (JVP) uprisings in the early 1970s and 1980s, the Sri Lankan governments brutal suppression of them, the terrible ethnic riots of the Sinhalese against the Tamils, and the rise of the Liberation Tamil Tiger Eelam (LTTE) and their terror tactics, but she also experiences other struggles coinciding with the political fate of the nation and its own self-infl icted calamities. Th is makes the aim of the book somewhat ambitious, as it intentionally sets out to be a personal witness to issues of colonization, the constitutional fl aws of an emerging nation, power-mongering politics, racial and ethnic tensions, emergent religious/political identities, and gender discrimination.
The Practice of Texts
Introduction : Gurukulas and tradition-making in modern Ayurveda -- Situating Sanskrit (texts) in ayurvedic education -- Practicing texts -- Knowledge that heals, freely -- From healing texts to ritualized practice -- Texts in practice : wellbeing, healing, and the ayurvedic patient.
From Sovereign to Symbol
Fourteenth-century Japan witnessed a fundamental political and intellectual conflict about the nature of power and society, a conflict that was expressed through the rituals and institutions of two rival courts. Rather than understanding the collapse of Japan's first warrior government (the Kamakura bakufu) and the onset of a chaotic period of civil war as the manipulation of rival courts by powerful warrior factions, this study argues that the crucial ideological and intellectual conflict of the fourteenth century was between the conservative forces of ritual precedent and the ritual determinists steeped in Shingon Buddhism. Members of the monastic nobility who came to dominate the court us...
The Creative South
This edited volume programmatically reconsiders the creative contribution of the littoral and insular regions of Maritime Asia to shaping new paradigms in the Buddhist and Hindu art and architecture of the mediaeval Asian world. Far from being a mere southern conduit for the maritime circulation of Indic religions, in the period from ca. the 7th to the 14th century those regions transformed across mainland and island polities the rituals, icons, and architecture that embodied these religious insights with a dynamism that often eclipsed the established cultural centres in Northern India, Central Asia, and mainland China. This collective body of work brings together new research aiming to reca...
Tree and Serpent: Early Buddhist Art in India
A pioneering study of the emergence of Buddhist art in southern India, featuring vibrant photography of rare works, many published here for the first time Named for two primary motifs in Buddhist art, the sacred bodhi tree and the protective snake, Tree & Serpent: Early Buddhist Art in India is the first publication to foreground devotional works produced in the Deccan from 200 BCE to 400 CE. Unlike traditional narratives, which focus on northern India (where the Buddha was born, taught, and died), this groundbreaking book presents Buddhist art from monastic sites in the south. Long neglected, this is among the earliest surviving bodies of Buddhist art, and among the most sublimely beautiful...
Vicissitudes of the Goddess
Drawing on archaeological, artistic, sculptural and inscriptional sources and participant/observer insights, Sree Padma reconstructs a history of goddess worship in India from ancient times (before the rise of Buddhism and bhakti) to contemporary cults of deified women.
Inventing and Reinventing the Goddess
Popular religion in village India is overwhelmingly dominated by goddess worship. Goddesses can be nationally well-known like Durga or Kali, or they can be an obscure deity who is only known in a particular rural locale. The origins of a goddess can be both ancient--with many transitions or amalgamations with other cults having occurred along the way--and very recent. While some have tribal origins, others sprout up overnight due to a vivid dream. Inventing and Reinventing the Goddess: Contemporary Iterations of Hindu Divinities on the Move looks at the nature of how and why goddesses are invented and reinvented historically in India and how social hierarchy, gender differences, and modernity play roles in these emerging religious phenomena.
Inventing and Reinventing the Goddess
Popular religion in village India is overwhelmingly dominated by goddess worship. Goddesses can be nationally well-known like Durga or Kali, or they can be an obscure deity who is only known in a particular rural locale. The origins of a goddess can be both ancient--with many transitions or amalgamations with other cults having occurred along the way--and very recent. While some have tribal origins, others sprout up overnight due to a vivid dream. Inventing and Reinventing the Goddess: Contemporary Iterations of Hindu Divinities on the Move looks at the nature of how and why goddesses are invented and reinvented historically in India and how social hierarchy, gender differences, and modernity play roles in these emerging religious phenomena.
The Illustrated Ramayana
Discover the Ramayana - one of India's most celebrated epics, and a story that transcends time itself. The tale of Rama, the exiled prince of Ayodhya who battles the evil Ravana, the king of Lanka, and rescues his abducted wife, Sita, is about much more than the eternal battle of good versus evil. It is a tale of love, friendship, loyalty, devotion, righteousness, and deliverance. Ramayana and Rama, whose journey is told in the epic, are embedded in India's cultural consciousness, but at the same time they transcend borders. Various versions of the Ramayana can be found across the Indian subcontinent and in parts of southeast Asia. Created in consultation with distinguished economist, scholar, and translator, Dr Bibek Debroy, The Illustrated Ramayana draws from one of its earliest composers, the celebrated sage and poet Valmiki. It uses a combination of text and stunning images drawn from a variety of sources - from historic and contemporary artefacts, paintings, photographs, and performances - to tell Rama's story, as he walks the path that destiny creates for him.
