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Prehistoric Monsters
Over centuries, discoveries of fossil bones spawned legends of monsters such as giants and dragons. As the field of earth sciences matured during the 19th century, early fossilists gained understanding of prehistoric creatures such as Tyrannosaurus, Triceratops and Stegosaurus. This historical study examines how these genuine beasts morphed in the public imagination into mythical, powerful engines of destruction and harbingers of cataclysm, taking their place in popular culture, film, and literature as symbols of "lost worlds" where time stands still.
Ethnopolitical Entrepreneurs
Ethnopolitical Entrepreneurs presents the story of the Armenians of Glendale, California. Coming from Argentina, Armenia, Egypt, Iran, Jordan, Lebanon, Russia, Syria, and many other countries, this group is internally fragmented and often has limited experience with the American political system. Nonetheless, Glendale's Armenians have rapidly mobilized and remade an American suburban space in their own likeness. In telling their story, Daniel Fittante expands our understanding of US political history. From the late nineteenth-century onward, Irish, Italian, Jewish, and several other immigrant populations in large American cities began changing the country's political reality. The author shows how Glendale's Armenians—as well as many other immigrants—are now changing the country's political reality within its dynamic, multiethnic suburbs. The processes look different in various suburban contexts, but the underlying narrative holds: immigrant populations converge on suburban areas and ambitious political actors develop careers by driving coethnics' political incorporation.
Kong, Godzilla and the Living Earth
During the 2010s, science fiction's immortal adversaries King Kong and Godzilla, representing our conflicts per Carl Sagan's "dream dragons" analogy, made comebacks in American cinema. The blockbuster Kaiju resurged onto the screen, depicting these protectors of an Earth plagued by mankind's hubris and folly. With Earth's future hanging in the balance, their climactic 2021 staging settled a score between the two giant monsters, resolving Toho's classic 1963 film King Kong vs. Godzilla. As formidable creatures emerging from Time's Tomb on Mother Earth, metaphorical Kong and Godzilla are considered here in light of new millennial environmentalism's stark reality. This book, nostalgic in tone, explores the meaning of Kong and Godzilla as planetary saviors--titanic protectors of a theoretical "living Earth" Gaia--defending the globe from a prehistoric plague of adversaries.
Apocalypse Then
The United States, the only country to have dropped the bomb, and Japan, the only one to have suffered its devastation, understandably portray the nuclear threat differently on film. American science fiction movies of the 1950s and 1960s generally proclaim that it is possible to put the nuclear genie back in the bottle. Japanese films of the same period assert that once freed the nuclear genie can never again be imprisoned. This book examines genre films from the two countries released between 1951 and 1967--including Godzilla (1954), The Mysterians (1957), The Incredible Shrinking Man (1957), On the Beach (1959), The Last War (1961) and Dr. Strangelove (1964)--to show the view from both sides of the Pacific.
Ishiro Honda
The first comprehensive biography of the director behind Godzilla and other Japanese sci-fi classics Ishiro Honda was arguably the most internationally successful Japanese director of his generation, with an unmatched succession of science fiction films that were commercial hits worldwide. From the atomic allegory of Godzilla and the beguiling charms of Mothra to the tragic mystery of Matango and the disaster and spectacle of Rodan, The Mysterians, King Kong vs. Godzilla, and many others, Honda's films reflected postwar Japan's real-life anxieties and incorporated fantastical special effects, a formula that appealed to audiences around the globe and created a popular culture phenomenon that ...
The Black Flame
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Cinefantastique
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Unmaking a Movie
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Geek Monthly
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