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Japan's Favorite Mon-star
More than 40 years after he emerged from the mushroom cloud of an H-Bomb test, Godzilla reigns as the king of monsters. The book dispels the myths and illuminates the mysteries surrounding the enigmatic "mon-star", and is loaded with background information and trivia about the people who created Japan's favorite monster. 50 illustrations.
Ishiro Honda
"An appreciation of Japanese fantasy-film history through the eyes of a filmmaker whose name is obscure but populism remains influential." — Chicago Tribune Ishiro Honda, arguably the most internationally successful Japanese director of his generation, made an unmatched succession of science fiction films that were commercial hits worldwide. From the atomic allegory of Godzilla and the beguiling charms of Mothra to the tragic mystery of Matango and the disaster and spectacle of Rodan, The Mysterians, King Kong vs. Godzilla, Honda's films reflected postwar Japan's anxieties and incorporated fantastical special effects, a formula that created an enduring pop culture phenomenon. Now, in the f...
Godzilla FAQ
He is the Lizard King – well, the King of the Monsters – he can do anything. Since he first romped onto the silver screen in 1954, no other character in all of international cinema has been as beloved by American audiences as Godzilla. Despite the modern film industry's affinity for franchises and cinematic universes, he remains one of its most enduring and popular characters, with a total of twenty-eight motion pictures (not even including two American reboots!) under his massive belt. From his home base in Japan, where the legendary Toho Pictures first put him on the map, Godzilla has gone on to become an international phenomenon, a pop culture avatar, a movie monster unrivaled in both...
Giant Creatures in Our World
Dismissed as camp by critics but revered by fans, the kaiju or "strange creature" film has become an iconic element of both Japanese and American pop culture. From homage to parody to advertising, references to Godzilla--and to a lesser extent Gamera, Rodan, Ultraman and others--abound in entertainment media. Godzilla in particular is so ubiquitous, his name is synonymous with immensity and destruction. In this collection of new essays, contributors examine kaiju representations in a range of contexts and attempt to define this at times ambiguous genre.
Kong, Godzilla and the Living Earth
During the 2010s, science fiction's immortal adversaries King Kong and Godzilla, representing our conflicts per Carl Sagan's "dream dragons" analogy, made comebacks in American cinema. The blockbuster Kaiju resurged onto the screen, depicting these protectors of an Earth plagued by mankind's hubris and folly. With Earth's future hanging in the balance, their climactic 2021 staging settled a score between the two giant monsters, resolving Toho's classic 1963 film King Kong vs. Godzilla. As formidable creatures emerging from Time's Tomb on Mother Earth, metaphorical Kong and Godzilla are considered here in light of new millennial environmentalism's stark reality. This book, nostalgic in tone, explores the meaning of Kong and Godzilla as planetary saviors--titanic protectors of a theoretical "living Earth" Gaia--defending the globe from a prehistoric plague of adversaries.
Ishiro Honda
The first comprehensive biography of the director behind Godzilla and other Japanese sci-fi classics Ishiro Honda was arguably the most internationally successful Japanese director of his generation, with an unmatched succession of science fiction films that were commercial hits worldwide. From the atomic allegory of Godzilla and the beguiling charms of Mothra to the tragic mystery of Matango and the disaster and spectacle of Rodan, The Mysterians, King Kong vs. Godzilla, and many others, Honda's films reflected postwar Japan's real-life anxieties and incorporated fantastical special effects, a formula that appealed to audiences around the globe and created a popular culture phenomenon that ...
Musique Fantastique
This book discusses the use of scores in horror, science fiction and fantasy films, covering the 1930's to the 1980's, with chapters on Herrmann, Goldsmith, Rózsa, Japanese monster movies, Hammer horror movies, John Williams, electronic music and how classical music has been integrated into these film genres.
Geek Monthly
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