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Seeing Degree Zero
In literature and the visual arts, zero degree represents a neutral aesthetic situated in response to and outside of the dominant cultural order. Starting from Roland Barthes' 1953 book Writing Degree Zero, this volume examines the historical, theoretical and visual aspects of the term in collaboration with artist and writer Victor Burgin.
Beyond the Aesthetic and the Anti-Aesthetic
Each of the five volumes in the Stone Art Theory Institutes series—and the seminars on which they are based—brings together a range of scholars who are not always directly familiar with one another’s work. The outcome of each of these convergences is an extensive and “unpredictable conversation” on knotty and provocative issues about art. This fourth volume in the series, Beyond the Aesthetic and the Anti-Aesthetic, focuses on questions revolving around the concepts of the aesthetic, the anti-aesthetic, and the political. The book is about the fact that now, almost thirty years after Hal Foster defined the anti-aesthetic, there is still no viable alternative to the dichotomy betwee...
History of Intellectual Culture 1/2022
With concepts of participation discussed in multiple disciplines from media studies to anthropology, from political sciences to sociology, the first issue of the new yearbook History of Intellectual Culture (HIC) dedicates a thematic section to the way knowledge can and arguably must be conceptualized as "participatory". Introducing and exploring "participatory knowledge", the volume aims to draw attention to the potential of looking at knowledge formation and circulation through a new lens and to open a dialogue about how and what concepts and theories of participation can contribute to the history of knowledge. By asking who gets to participate in defining what counts as knowledge and in d...
The Book of Revelation and the Visual Culture of Asia Minor
The images in the book of Revelation confound even the most seasoned of interpreters. In this book, Andrew R. Guffey argues that part of the confusion stems from the fact that the book of Revelation was first and foremost a work to be “seen,” but that few interpreters address the visuality of the book. The Book of Revelation and the Visual Culture of Asia Minor describes a connection between rhetorical discussions of ekphrasis, visual culture, and John’s images—a “concurrence of images”— using theory and thick historical description. Guffey’s analysis situates the text and its rhetorical performativity in the context of ancient visual and rhetorical culture, arguing that Revelation is not merely a work of literary craft, but also of visual culture.
The New Lives of Images
In this ambitious new work, eco-philosopher and cultural theorist Adrian Ivakhiv presents an incisive new way of thinking about images and imagination. Drawing upon an immense range of materials, Ivakhiv reassesses the place of imagination in cultural life, analyzing how people have interacted with images in the past and the ways that digital media are profoundly altering these relationships today. The book contributes powerfully to the study of visual culture and digital media, and provides provocative interpretations of a range of important artists and media movements: from the work of photographer Edward Burtynsky, the ambitious multi-screen installations of John Akomfrah, the abstract ar...
Barthes/Burgin
The influence of Roland Barthes on Burgin's work is well documented. Equally, Burgin's prominence as an artist and theorist concerned with text and image offers a productive dialogue with Barthes' work. Victor Burgin has long been considered both theorist and practitioner, while Barthes is more known as a theorist and writer. In bringing to the fore Barthes's practice of painting and drawing, Barthes/Burgin prompts a new critical consideration of Barthes/Burgin, theory/practice, writing/making and criticality/visuality. Barthes/Burgin features two new interviews with Burgin, one concerned with his turn to new digital practices and the other a reflection on his reading of Roland Barthes. Also included are images and texts from the artists and an essay critically examining Barthes' exercises in drawing and painting.
Image Studies
Image Studies offers an engaging introduction to visual and image studies. In order to better understand images and visual culture the book seeks to bridge between theory and practice; asking the reader to think critically about images and image practices, but also simultaneously to make images and engage with image-makers and image-making processes. Looking across a range of domains and disciplines, we find the image is never a single, static thing. Rather, the image can be a concept, an object, a picture, or medium – and all these things combined. At the heart of this book is the idea of an ‘ecology of images’, through which we can examine the full ‘life’ of an image – to under...
Image Critique & the Fall of the Berlin Wall
Sunil Manghani's "Image Critique and the Fall of the Berlin Wall" examines the use of visual image, using the event of the fall of the Berlin Wall as a contemporary case study. The book presents a new critical visual theory: image critique - a dual procedure combining a focus on both analysing and interpreting images, with a consideration of how images can be used to critically examine and engage with our contemporary culture. Manghani's interdisciplinary approach is complimented by a vast array of sources, including illustrative visual images, creating an accessible and lively debate. Manghani examines current debates surrounding visual culture, ranging from such topics as Francis Fukuyama'...
Images
"" "Images: Critical and Primary Sources" is a major multi-volume work of reference that brings together seminal writings on the image. Taking an interdisciplinary approach, the essays range across the domains of philosophy, history, art, aesthetics, literature, science, anthropology, critical theory and cultural studies. The essays reveal a wide set of perspectives, problematics and approaches, helping to frame a rich, encompassing view of what we can broadly term 'image studies'. The four volumes are arranged thematically, each separately introduced and with the essays structured into specific sections for easy reference. Volume 1: Understanding Images establishes conceptual, historical, i...
