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An Appointment with Somerset Maugham
"Now, just ask yourself", Maugham said without the least suggestion of a stutter, "wouldn't it be a dreadful world if pleasure ruled?" But pleasure has ruled Richard Costa's world - the pleasure of books and their writers. In this charming and insightful reminiscence, he introduces readers to a host of literary lives that have touched him: Somerset Maugham, H. G. Wells, Malcolm Lowry, Conrad Aiken, Edmund Wilson, Kingsley Amis, Dorothy Parker, Edith Wharton, and others. The journey of the mind and heart Costa traces has some illustrious guides. Reading and re-reading the works of memorable writers of our time, interviewing them, and writing about them, he has woven literature into his life in a way that provides illumination and just plain interest for those who read the story here. In his intellectual and literary chronicle, readers will find much humor, much memory, and much food for thought.
Thomas Pynchon
This volume is a collection of essays by various academics looking at how identity is shaped, gendered, and contested throughout Pynchon's work. By exploring sociological, anthropological, literary, and political dimensions, the contributors revise important ideas in the debate over individualism using political and feminist theory and examine the different ways in which their writings embody, engage, and critique the official narratives generated by America's culture.
Gender, Collaboration, and Authorship in German Culture
Gender, Collaboration, and Authorship in German Culture challenges a model of literary production that persists in literary studies: the so-called Geniekult or the idea of the solitary male author as genius that emerged around 1800 in German lands. A closer look at creative practices during this time indicates that collaborative creative endeavors, specifically joint ventures between women and men, were an important mode of literary production during this era. This volume surveys a variety of such collaborations and proves that male and female spheres of creation were not as distinct as has been previously thought. It demonstrates that the model of the male genius that dominated literary studies for centuries was not inevitable, that viable alternatives to it existed. Finally, it demands that we rethink definitions of an author and a literary work in ways that account for the complex modes of creation from which they arose.
Shapes of Time in British Twenty-First Century Quantum Fiction
This book addresses the notion of time and temporality and its various conceptualizations in the theories of the new physics, utilized as a thematic and formal framework in the British novel of the twenty-first century. As the Newtonian conception of reality does not provide a reliable framework within which to situate human experience and generate meaning, fiction writers have recognized quantum mechanics as a potent source from which to draw in search of new metaphors. The quantum has become a part of the understanding of reality, and its concepts and assumptions have been absorbed into the textual structure and content of literary fiction. Shapes of Time in British Twenty-First Century Qu...
"Hours like bright sweets in a jar"
The papers gathered in the present collection investigate time and temporality from a number of interdisciplinary perspectives: literary or film studies, postcolonial theory, physics, philosophy, psychology, urban studies, history and gender studies. This wide spectrum of scholarly approaches encompasses chapters dealing with the convergences of time and the human psyche; time and the body; time and memory; time and trauma; time and change; time and cultural reproduction; time and language; time and the city; and time and identity. It transpires that the imaginary refigurations of time more often than not constitute resistance against the linearity of chronometric time, represented by institutions, capitalism, government and power, and attempts to colonize the human psyche. In attempting to assault this hegemony of linear time, literary, cinematographic and cultural practice enacts exploding temporalities to reflect the multifacetedness and multidirectionality of the human experience of time.
Contemporary Historical Fiction, Exceptionalism and Community
This book analyzes a significant group of contemporary historical fictions that represent damaging, even catastrophic times for people and communities; written “after the wreck,” they recall instructive pasts. The novels chronicle wars, slavery, racism, child abuse and genocide; they reveal damages that ensue when nations claim an exalted, exceptionalist identity and violate the human rights of their Others. In sympathy with the exiled, writers of these contemporary historical fictions create alternative communities on the state’s outer fringes. These fictive communities include where the state excludes; they foreground relations of debt and obligation to the group in place of individualism, competition and private property. Rather than assimilating members to a single identity with a unified set of views, the communities open multiple possibilities for belonging. Analyzing novels from Britain, Australia and the U.S., along with additional transnational examples, Susan Strehle explores the political vision animating some contemporary historical fictions.
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Pretty Good for a Girl
Today Heywood still loves the challenge of sports, and she has found a way to live with a more balanced relationship to her body and the world. But as she looks at the explosion in the number of girl athletes around her, she asks, "How can we make it safer for them than it was for me?" Pretty Good for a Girl explores why girls need and want to participate in the American dream of competition and individual achievement: it also reveals the obstacles they still face - such as traditional ideas about what girls should be, which disfigure their competitive spirit and limit their potential.
A Riddling Thing
An important reflection on the twentieth-century preoccupation with time, this new analysis offers perceptive insights on the relationship between narrative and temporal structure and clock time as well as on the influence of time concepts on our expectations about writing and reading fiction. Pauline Beard explores Bergson's duration theory in Faulkner's Sound and Fury, Jung's notions of dream and racial unconscious in Djuna Barnes's Nightwood, Freud's psychoanalysis in Kurt Vonnegut's Slaughterhouse Five, and Italo Calvino's masterful play with all concepts in If On A Winter's Night A Traveler. In each novel, Beard analyzes how the fragmented time structure presents a critical reflection on identity in both fictional and outside worlds. The study provides a challenging introduction to literary criticism as well as a compelling contribution to the study of the modern novel.
