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In this commemorative edition, we showcase the select poetry of Canadian poet Emily Isaacson, from her simple pieces to the epic. This work surrounds the guillotine of the recession that has influenced Canadians over the past decade. It is evident her readers have only begun to taste her nuances, wording, and poetic structure, including her own invention “the eclipsed poem.” Her dedicated voice has spoken in poetry to royals, cloisters, people groups, and nations. This poignant and lyrical collection rises to stir our hearts from poverty to the ornamental. Emily Isaacson writes her sacred words as we enter the Baroque era of the internet. From her early medieval blog as a solitary unicorn to this year celebrating one million visits to her websites, her prolific verse and multi-media art spark poetry with life. She sets out to make a postmodern impact by using color and style paired with the creativity necessary for survival.
Sculpture and the Museum is the first in-depth examination of the varying roles and meanings assigned to sculpture in museums and galleries during the modern period, from neo-classical to contemporary art practice. It considers a rich array of curatorial strategies and settings in order to examine the many reasons why sculpture has enjoyed a position of such considerable importance - and complexity - within the institutional framework of the museum and how changes to the museum have altered, in turn, the ways that we perceive the sculpture within it. In particular, the contributors consider the complex issue of how best to display sculpture across different periods and according to varying c...
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When you ask God to be your dance partner... The music never stops! CANDLEDANCING examines the synthesis of humanity's physical, mental, and spiritual dimensions by weaving together the words, thoughts, and feelings of its sincere yet disconcerted characters who seek to understand the meaning of their lives. Regardless of innocent intentions, all involved find themselves subject to reproof, and new light is shed on the mortal condition. A brilliant piece of drama in two acts, CANDLEDANCNG captures the essence of medieval theology within a modern scenario. An honest and easily adaptable piece for theatrical magic for university or community players, CANDLEDANCING is certainly an audience pleaser.
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This is the twentieth in a series of occasional volumes devoted to studies in British art, published by the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art and distributed by Yale University Press. --Book Jacket.
Now in its 27th edition, and compiled in association with the Publishers Association, this is the most authoritative, detailed trade directory available for the United Kingdom, the Commonwealth and the Irish Republic. It lists some 1,500 publishers in 22 countries: Australia, Canada, Ghana, Hong Kong, India, Irish Republic, Jamaica, Kenya, Malaysia, Malta, New Zealand, Nigeria, Pakistan, Singapore, South Africa, Sri Lanka, Swaziland, Tanzania, Uganda the UK, Zambia and Zimbabwe. In addition to the coverage of publishers the 'Directory' offers in-depth coverage of the wider UK book trade: packagers, authors' agents, trade and allied associations and services. Detailed Appendices and Indexes include who owns whom, UK publishers classified by field of subject speciality, names and addresses of publishers' overseas representatives; overseas publishers represented in the UK; ISBN prefixes; names of key personnel; publishers imprints; agents and associations; UK publishers by post code.