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血与肉的扭结：培根与英国当代艺术
本书将战后英国艺术的研究定位在20世纪“肉身转向”的哲学背景中，通过两条研究主线贯穿全书展开论述：其一，以培根为主线，结合血与肉的主题，梳理战后英国不同时期代表性艺术家案例，通过对作品形式和观念的分析，形成清晰的脉络谱系；其二，以20世纪的哲学思想为主线，通过对与培根同期的哲学家安托南阿尔托、梅洛庞蒂和乔治巴塔耶等思想的研究，结合作品展开论述，并在本书最后章节中通过引述后现代哲学家的思想观点进行回应，建构起整个20世纪哲学思想中“肉身”概念的脉络体系及其与艺术家作品间的...
Towards a Dialogical History of Modern Architecture
The book challenges three perspectives on the modern architectural canon: explanations that disregard impacts and effects beyond the North Atlantic (monologic), superficial modifications that simply add "Other" figures to the canon, and views that reject the canon itself. Instead, it recognizes the canon's significance in comprehending architecture, while seeking to uncover its presumed Western-centric integrity through a shift from a monological to a dialogical approach. This approach integrates concepts of identity and Otherness as dialectically articulated and mutually interrelated. In essence, the book's main thesis contends that the canon's historiographic construction overlooked the ex...
PAGON
Through the 1940s and 1950s, PAGON (Progressive Architects Group Oslo Norway) was an alliance of young CIAM-affiliated Norwegian architects known for their innovative joint projects. As a group, PAGON went on to become largely overlooked in the history of modern architecture, even though its individual members – which included Sverre Fehn, Jørn Utzon, Arne Korsmo, and Christian Norberg-Schulz – became defining figures in Scandinavian and international modernism. This book tells the story of PAGON for the first time, offering an impressive account of the group's projects, buildings, and approach, and demonstrating why PAGON's projects are ripe for reappraisal in the international history...
Painting Shakespeare
A critical history of Shakespeare painting in its richest period - 1720-1820.
William Blake
How William Blake came to create this masterpiece is the focus of this book, which explores the turbulent path of his career as well as the intriguing creative process that led to the "Book of Job" engravings. Six of Blake's delicate watercolors devoted to the story of Job serve as an introduction to the engravings, which are paired with his preliminary sketches and several later watercolors. Malcolm Cormack's commentary discusses the imagery of the plates, while David Bindman's essay links them to Blake's other philosophical works. Together, they reveal why these engravings are considered by many to be Blake's most important work as a graphic artist. -- From publisher's description.
