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Singapore Stories: Pathways and Detours in Art presents a fresh take on one of National Gallery Singapore’s long-term exhibitions, exploring how the nation’s art has reflected and shaped shifting ideas of identity, place and community from the 19th century to today. This richly illustrated catalogue foregrounds the new exhibition narratives, highlighting the contributions of diverse artists, aesthetic experiments, and institutional changes. These are layered stories that unfold across time, disciplines and perspectives, revealing the complexity and vivacity of Singapore’s art scene.
Cheong Soo Pieng: Layer by Layer presents a unique insight into the artist’s innovative use of materials in painting through examples from the 1940s to 1980s. This exhibition catalogue features artwork plates presented alongside technical photographs that illuminate Cheong’s artistic process and choice of materials. Accompanied by essays that explore the intersections between conservation science and art historical research, it poses the question: what makes a painting?
Do Chinese voluntary organizations continue to have a role in modern societies enmeshed in a globalizing world that questions continuation of the nation-state and ethnic identity? This book argues that Chinese voluntary organizations continue to play a significant role in both the established and new Chinese communities in the Diaspora. They are able to do so because of their ability to transform their organizational structure and functions. At the same time, they are able to reinvent their own images to suit their co-ethnic community and the wider polity. The uniqueness of this volume lies in its integration of historical and contemporary approaches to the study of traditional Chinese volun...
How do artists portray unfamiliar people in Africa, the Middle East, South Asia, and elsewhere? Although Chen Cheng Mei and You Khin never knew each other and were born two decades apart, the artists shared a lasting affinity for portraying everyday scenes in diverse locations. Featuring an essay by exhibition curator Roger Nelson, full-colour reproductions of the artworks and archival material on display, and a timeline of both artist's lives and works, this e-publication chronicles their movements across the world from the 1970s to 2000s. This e-publication accompanies the inaugural exhibition of Dalam Southeast Asia, an experimental project space located within the UOB Southeast Asia Gallery.
《星期日泰晤士報》、《紐約時報》暢銷書 《柯克斯評論》(Kirkus)年度最佳好書 水石書店(Waterstones Book)年度書獎 暢銷書《藝術的故事》忽略了女性藝術家,而本書正好彌補了此一空白 從葛飾應為、潘玉良、芙烈達.卡蘿、歐姬芙、草間彌生到阿布拉莫維奇…… 從文藝復興到二十一世紀, 收錄五個世紀以來近500個女性藝術家、超過300張精彩作品 前所未有的藝術史──「我會讓你見識女人的本事。」 「赫塞爾寫出前所未見的藝術史,將鎂光燈打在女性身上,而達文西沒有鏡頭。」──藝評家瑞秋.坎貝兒.強斯頓 你知...
This book is a study of the history, role and significance of copying art. Copies have enjoyed a different status from authentic artworks and though often acknowledged, very rarely have they been considered collectively as a genre in their own right. This volume showcases a variety of examples—from copies of famous artworks made and used as props in movies to those made innocently by student artists as part of their training. Examining the motivations for making copies, and reflecting on the reception of copies, is central to this book. Copies have historically filled voids in collections, where some sadly languish, and have become a curatorial burden. In other cases, having a copy assists in conservation projects and fills the place of a lost work. Ultimately by interrogating a copy’s role and intent we might ask ourselves if viewing a copy changes our experience and perception of an artwork.
Design plays a significant role in environmental, ethical, economic and cultural arenas, and contributes to people's wealth, cultural identity and quality of life. This textbook presents the theory and practice of design fundamentals. It offers learning objectives that develop motivation, creative spirit, and cognitive strategies among students.
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Paris, Shanghai and New York: Georgette Chen, one of Singapore's foremost artists, once counted these cultural capitals as home and cut her teeth as a painter there. Chen eventually found in Singapore "a veritable paradise," enchanted by its tropical climes and unexpected forms. These remarkable and cosmopolitan life experiences have informed Chen's uniquely syncretic artistic practice and aesthetic style. With over 100 full-colour image plates and archival material, along with critical essays, this monograph brings new perspectives on her independent artistic voice and vital role as an educator in the development of modern art in Singapore.
Singapore is renowned for the delightful cuisines that can be found in its hawker centres. Travellers herald from across the globe simply to taste dishes like chicken rice, laksa, and chilli crab. In 2020, 'Hawker Culture in Singapore' was selected to be on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity, a firm acknowledgement towards the impact and influence of hawking in Singapore's history. Less widely known is this—though now synonymous with Singaporean culture, the fate of hawking once hung in the balance.From Streets to Stalls traces the longue-durée history of hawking in Singapore and how it has evolved. This book highlights the challenges hawkers ha...