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Laughing and Weeping in Early Modern Theatres
How and when did Shakespeare's audiences laugh, and weep, in early modern theatres? And when laughter, or weeping, were represented on that stage-as they are in hundreds of plays from this period-how were they acted out? This book considers laughter and weeping in the theatres of 1550-1642, arguing that both actions have a peculiar importance in defining the early modern theatrical experience.
Verbal-Visual Configurations in Postcolonial Literature
Examining a range of contemporary Anglophone texts, this book opens up postcolonial and transcultural studies for discussions of visuality and vision. It argues that the preoccupation with visual practices in Anglophone literatures addresses the power of images, vision and visual aesthetics to regulate cultural visibility and modes of identification in an unevenly structured world. The representation of visual practices in the imaginative realm of fiction opens up a zone in which established orders of the sayable and visible may be revised and transformed. In 12 chapters, the book examines narrative fiction by writers such as Michael Ondaatje, Derek Walcott, Salman Rushdie, David Dabydeen and NoViolet Bulawayo, who employ word-image relations to explore the historically fraught links between visual practices and the experience of modernity in a transcultural context. Against this conceptual background, the examination of verbal-visual relations will illustrate how Anglophone fiction models alternative modes of re-presentation that reflect critically on hegemonic visual regimes and reach out for new, more pluralized forms of exchange.
Dance of Life
In recent years, the work of Zakes Mda—novelist, painter, composer, theater director and filmmaker—has attracted worldwide critical attention. Gail Fincham’s book examines the five novels Mda has written since South Africa’s transition to democracy: Ways of Dying (1995), The Heart of Redness (2000), The Madonna of Excelsior (2002), The Whale Caller (2005), and Cion (2007). Dance of Life explores how refigured identity is rooted in Mda’s strongly painterly imagination that creates changed spaces in memory and culture. Through a combination of magic realism, African orature, and intertextuality with the Western canon, Mda rejects dualistic thinking of the past and the present, the human and the nonhuman, the living and the dead, the rural and the urban. He imbues his fictional characters with the power to orchestrate a reconfigured subjectivity that is simultaneously political, social, and aesthetic.
Literature and Catholicism in the 19th and 20th Centuries
This volume investigates how literary texts have reflected, in ground-breaking ways, distinctive features of a Catholic philosophy of life. It demonstrates how literature, by its ability to capture the imagination, is able to evoke facets of human experience related specifically to a Catholic understanding of life.
Pluralizing Humanism
Humanism is appealed to today whenever we want to tackle the conditions of dehumanization in the contemporary world. But for humanism to be viable in the twenty first century, this book argues, it needs to be pluralized. Employing theoretical, historical, and sociological arguments, this book moves beyond the discourse of critique. It engages theories of religion and secularism, as well as postmodern, postcolonial, and decolonial critiques of Western humanist projects, to uncover the ideas and practices of religious and secular humanisms when they challenge dehumanization in the pursuit of conditions of flourishing for all. Through studies of the Solidarity movement in Poland and the anti-ap...
Travelling Goods, Travelling Moods
Looking at cultural appropriation from around the world, this volume uses the field of cultural studies--heavily influenced by both economics and sociology--as a lens through which to view the paradigm of transcultural consumption. The editors present a variety of consumptive phenomena including: the introduction of Chinese foods to the United States, Ford cars in Germany, and American schoolbooks in the Philippines. Rejecting the idea that these interactions were simply forms of "Americanization," Travelling Goods, Travelling Moods fills a gap in consumer studies and enriches the debate about cultural transfer.
Projections of Paradise
Paradise is commonly imagined as a place of departure or arrival, beginning and closure, permanent inhabitation of which, however much desired, is illusory. This makes it the dream of the traveller, the explorer, the migrant – hence, a trope recurrent in postcolonial writing, which is so centrally concerned with questions of displacement and belonging. Projections of Paradise documents this concern and demonstrates the indebtedness of writers as diverse as Salman Rushdie, Agha Shahid Ali, Cyril Dabydeen, Bernardine Evaristo, Amitav Ghosh, James Goonewardene, Romesh Gunesekera, Abdulrazak Gurnah, Janette Turner Hospital, Penelope Lively, Fatima Mernissi, Michael Ondaatje, Shyam Selvadurai, ...
Caribbean-English Passages
Tobias Döring uses Postcolonialism as a backdrop to examine and question the traditional genres of travel writing, nature poetry, adventure tales, autobiography and the epic, assessing their relevance to, and modification by, the Caribbean experience. Caribbean-English Passages opens an innovative and cross-cultural perspective, in which familiar oppositions of colonial/white versus postcolonial/black writing are deconstructed. English identity is thereby questioned by this colonial contact, and Caribbean-English writing radically redraws the map of world literature. This book is essential reading for students of Postcolonial Literature at both undergraduate and postgraduate level.
No Land, No Mother
Review: "The essays in this collection focus on the rich dialogue carried out in David Dabydeen's critically acclaimed body of writing. Dialogue across diversity and the simultaneous habitation of multiple arenas are seen as dominant characteristics of his work. Essays by Aleid Fokkema, Tobias Doring, Heike Harting and Madina Tlostanova provide rewardingly complex readings of Dabydeen's Turner, locating it within a revived tradition of Caribbean epic (with reference to Walcott, Glissant and Arion), as subverting and appropriating the romantic aesthetics of the sublime and in the connections between the concept of terror in Turner's painting and in Fanon's classic works on colonisation. Lee Jenkins and Pumla Gqola explore Dabydeen's fondness for intertextual reference, his dialogue with canonic authority and ideas about the masculine in his work. Michael Mitchell, Mark. Stein, Christine Pagnoulle and Gail Low focus on Dabydeen's more recent fiction, Disappearance, A Harlot's Progress and The Counting House. By dealing with his more recent work and looking more closely at Dabydeen's Indo-Guyanese background, this collection complements the earlier Art of David Dabydeen."--Jacket
