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The Private Collector’s Museum connects the rising popularity of private museums with evolving models of collecting and philanthropy, and new inter-relationships between private and public space. It examines how contemporary collectors construct museums to frame themselves as cultural arbiters of global distinction. By exploring a range of in-depth contemporary case studies, the book aims for a more complex understanding of the private collector’s museum, assessing how it is realised, funded and understood in a broader cultural context. It examines the ways in which this particular museum model has evolved within a historical Western tradition of collecting and museum-building, and consi...
A meditative reconsideration of what it means to love as ever-changing beings in an ever-changing world. We live in time, and so we love in time. Our beloveds change, and we change beside them. Sometimes we change apart, but it is this very changeableness, the braving of an unknown future together, that endears us to our lovers. Far from an ideal of constancy and commitment, then, love is an endeavor fraught with uncertainty. In this book, Fannie Bialek sketches a view of love that does not ignore the vagaries of life but embraces them. In contrast to philosophical and religious attempts to secure love against finitude, Bialek’s love embraces its susceptibility to change and accepts the ethical challenges such change introduces. Attentive to our deepest vulnerabilities, Bialek develops a fresh ethics of love grounded by our humility before time.
In the early decades of the twentieth century, engagement with science was commonly used as an emblem of modernity. This phenomenon is now attracting increasing attention in different historical specialties. Being Modern builds on this recent scholarly interest to explore engagement with science across culture from the end of the nineteenth century to approximately 1940. Addressing the breadth of cultural forms in Britain and the western world from the architecture of Le Corbusier to working class British science fiction, Being Modern paints a rich picture. Seventeen distinguished contributors from a range of fields including the cultural study of science and technology, art and architecture, English culture and literature examine the issues involved. The book will be a valuable resource for students, and a spur to scholars to further examination of culture as an interconnected web of which science is a critical part, and to supersede such tired formulations as 'Science and culture'.
A portrait of one of the twentieth century's greatest sculptors from one of our most eminent art historians
Publikacja towarzysząca wystawie: "Blumenmythos. Von Vincent van Gogh bis jeff Koons", Fondation Beyeler, Riehen/Basel, vom 27. Februar bis zum 22. Mai 2005.
Published in 2017 in Great Britain by National Portrait Gallery Publications, London.
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Essays by Michel Draguet, Dickram Tashjian, Sara Cochran, Theresa Papanikolas, Thierry de Duve and Stephanie Barron. Introduction by Stephanie Barron.