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Since the 1880s, electrical energies started circulating in European theaters, generated from fossil fuels in urban power plants. A mysterious force, which was still traded as romantic life force by some and for others had already come to stand in for progress, entered performance venues. Engineering knowledge, control techniques and supply chains changed fundamentally how theater was made and thought of. The mechanical image machine from Renaissance and Baroque times was transformed into a thermodynamic engine. Modern theater turned out to be electrified theater. – Retracing what happened backstage before the Avantgarde took to the front stage, this book proposes to write the genealogy of theaters modernity as a cultural history of theater technology.
The study of the business of opera has taken on new importance in the present harsh economic climate for the arts. This book presents research that sheds new light on a range of aspects concerning marketing, audience development, promotion, arts administration and economic issues that beset professionals working in the opera world. The editors' aim has been to assemble a coherent collection of essays that engage with a single theme (business), but differ in topic and critical perspective. The collection is distinguished by its concern with the business of opera here and now in a globalized market. This includes newly commissioned operas, sponsorship, state funding, and production and marketing of historic operas in the twenty-first century.
Drawing from a diverse range of military, policing, academic and policymakers’ experiences, this book seeks to provide solutions of how national militaries and police can work together to better support future United Nations peacekeeping operations. It addresses the growing tension between increasing non-combat related responsibilities being placed on land forces and the ability of UN peacekeeping forces to fulfil the demands of government and development tasks in fragile and conflict-affected environments. An original contribution to the debate on UN peacekeeping reforms that includes constructing an enhanced partnership for peacekeeping; building on renewed commitment to share the burden and for regional cooperation; providing peacekeepers with the necessary capabilities to protect civilians; and supporting nations in transition from conflict to stabilisation. This book offers the very latest in informed analysis and decision-making on UN peacekeeping reform.
Odense, the twin capital of Denmark. The 14th Century. A Pagan Child, an orphan. A Danish Baron, Do you defy your king? Do you defy the Holy Father in Avignon? Do you throw caution to the wind and defy the Teutonic Knights and their Grand Master? For love, for family honour, for a small child, do you risk everything? Now it begins!
Art and politics are related through repetition. Both realms are structured by practices of repetition and share a common room of sens(e)uality – aesthetics in the emphatic sense of the word. It is the aesthetics and practices of repetition that reveal the relation between both realms. This volume proposes to explore aesthetic and cultural phenomena that effect change in the non-aesthetical realm, not so much in spite, but precisely because of their being 'mere' repetitions. Repetition shapes art works through procedures and processes of reproduction, copying, depiction, or reenactment. As representation of the world, mimetic art's relationship to the political and social world can be conc...
First multi-year cumulation covers six years: 1965-70.
This volume introduces key terms of public history and makes them accessible via the most important subject areas and central research perspectives. It is aimed at students, teachers and practitioners who deal with history in the public sphere and offers approaches to the theoretical foundation of public history as part of historical cultural studies.