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In Haj to Utopia, Maia Ramnath tells the dramatic story of Ghadar, the Indian anticolonial movement that attempted overthrow of the British Empire. Founded by South Asian immigrants in California, Ghadar—which is translated as "mutiny"—quickly became a global presence in East Asia, Europe, the Middle East, and East Africa. Ramnath brings this epic struggle to life as she traces Ghadar’s origins to the Swadeshi Movement in Bengal, its establishment of headquarters in Berkeley, California, and its fostering by anarchists in London, Paris, and Berlin. Linking Britain’s declaration of war on Germany in 1914 to Ghadar’s declaration of war on Britain, Ramnath vividly recounts how 8,000 rebels were deployed from around the world to take up the battle in Hindustan. Haj to Utopia demonstrates how far-flung freedom fighters managed to articulate a radical new world order out of seemingly contradictory ideas.
The fight for India’s freedom began centuries ago—from the uprising of 1857 to the war for Kashmir in 1947, the Indo-China conflict in 1962, and the Indo-Pak wars of 1965, 1971, and 1999. While heroes like Mangal Pandey and Shaheed Bhagat Singh fought for India’s freedom, countless soldiers like Major Somnath Sharma, PVC and Sub Maj (Hon Capt) Yogendra Singh Yadav, PVC put their lives at stake for the nation’s safety. The Battlefield Diaries is a powerful exploration of the incidents and sites that are silent witnesses to this legacy of sacrifice and patriotism. Through vivid narratives and detailed accounts, the book brings these historic battlefields to life, connecting the past and present. Whether you’re a history enthusiast or someone seeking to understand the essence of India’s patriotism, The Battlefield Diaries is a moving tribute to the places and heroes that shaped the nation. A mustread for anyone inspired by the spirit of India’s enduring fight for freedom.
From Policemen to Revolutionaries uncovers the less-known story of Sikh emigrants in Shanghai in the late nineteenth and early twentieth centuries. Yin Cao argues that the cross-border circulation of personnel and knowledge across the British colonial and the Sikh diasporic networks, facilitated the formation of the Sikh community in Shanghai, eventually making this Chinese city one of the overseas hubs of the Indian nationalist struggle. By adopting a translocal approach, this study elaborates on how the flow of Sikh emigrants, largely regarded as subalterns, initially strengthened but eventually unhinged British colonial rule in East and Southeast Asia.
In the Punjab, Pakistan, a culture of migration and mobility already emerged in the nineteenth century. Imperial policies produced a category of hypermobile Sikhs, who left their villages in Punjab to seek their fortunes in South East Asia, Australia, America and Canada. The practices of the British Indian government and the Canada government offer telling instances of the exercise of governmentality through which both old imperialism and the new Empire assert their sovereignty. This book focuses on the Komagata Maru episode of 1914: This Japanese ship was chartered by Gurdit Singh, a prosperous Sikh businessman from Malaya. It carried 376 passengers from Punjab and was not permitted to land...
The Sikh World is an outstanding guide to the Sikh faith and culture in all its geographical and historical diversity. Written by a distinguished team of international contributors, it contains substantial thematic articles on the dynamic living experiences of the global Sikh community. The volume is organised into ten distinct sections: History, Institutions, and Practices Global Communities Ethical Issues Activism Modern Literature and Exegesis Music, Visual Art, and Architecture Citizenship, Sovereignty, and the Nation State Diversity and its Challenges Media Education Within these sections, interdisciplinary themes such as intellectual history, sexuality, ecotheology, art, literature, ph...
This book offers the first social history of music in undivided Punjab (1800-1947), beginning at the Lahore court of Maharaja Ranjit Singh and concluding at the Patiala royal darbar. It unearths new evidence for the centrality of female performers and classical music in a region primarily viewed as a folk music centre, featuring a range of musicians and dancers -from 'mirasis' (bards) and 'kalawants' (elite musicians), to 'kanjris' (subaltern female performers) and 'tawaifs' (courtesans). A central theme is the rise of new musical publics shaped by the anglicized Punjabi middle classes, and British colonialists' response to Punjab's performing communities. The book reveals a diverse connoisseurship for music with insights from history, ethnomusicology, and geography on an activity that still unites a region now divided between India and Pakistan.
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