You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Amicus - The Studio That Made Us Scream and Scream Again offers an entertaining and affectionate overview of the legacy of this beloved studio and the films they produced. In the concluding chapter we shall also look at the work Milton Subotsky and Max Rosenberg did after Amicus folded. So, open that decanter of brandy, make sure there aren't any voodoo dolls or disembodied hands lying around, stay out of those catacombs, lock the doors lest an escaped maniac dressed as Father Christmas be lurking, watch out for the Werewolf Break, and prepare to enter the spooky, mysterious, eclectic, and wonderful world of Amicus Productions!
Strap yourselves in, make sure the doors are locked, blow out the candles, and prepare to embrace the world of British horror films. A world of rural folk horror, megalithic stones, vampires, werewolves, escaped lunatics, nuclear war, Cenobites, zombies, spooky children, serial killers, cannibals, stone tapes, ghosts, elementals, killer cults, droogs, time loops, misty moors, nutty ventriloquists, graverobbers, rare and unusual objects of the occult, alien spaceships in the London Underground, Shakespeare inspired murders, and an archly eyebrowed Vanessa Howard.
An MI6 agent acts according to the rules of the spy genre, trying to infiltrate the great alchemists – the Poets’ society – but fails over and over again. A famous detective novel writer, meanwhile, travels between eras, unraveling the puzzle about a mysterious stranger who is about to meet her friends from past centuries.Confrontation of friends and foes, forces of order and chaos, reason and imagination in a drama about the power of art and the search for a true purpose.
Have you ever watched Unmasked Part 25? Xtro II? How about Screamtime or Bloodstream? Have you ever sat through The House That Vanished or Persecution? What about Sleepwalker or The Shout? In this book we will shine a light on some of the lesser viewed or more forgotten films in the history of the British horror industry. Vampire motorcycles, devil dolls, killer chimps, escaped lunatics, lighthouse horrors, troglodytes in caves, Satanic sacrifice in an antiques shop, demon babies who don't want to be born, teleportation shenanigans cursed by a fly, frozen Nazis, video nasties, zombies in Cornwall, louche vampire cults, necrophile killers, human/plant hybrid horrors, dream demons, murderous Punch & Judy men, killer garden gnomes, outer space terror, murderous priests, mansion mysteries, woodland secrets, ghosts, Christmas splatter fests, babysitters in peril. All this and much more awaits in the British Horror Films That Time Forgot...
Producing Children imagines the possibility, indeed the inevitability, of a creative relation between children as producers and consumers by revising the long-established, hierarchical relation between adults and children. The chapters in this collection reveal that studying child-produced culture complicates our received understandings of children’s culture as culture by adults, for children, about children. They also underscore “children’s literature” as a cultural phenomenon that moves across and beyond genres, forms, and media. As a whole, this collection reveals that attention to child-produced culture invites dialogue and collaboration across fields and disciplines invested in the critical understanding of children as embodied beings and childhood as both a stage of development and discursive construct with social, political, economic, and cultural dimensions and influence. With the ongoing vibrancy of childhood studies as a multidisciplinary area of inquiry, studies of child-produced culture provide scholars with an exciting opportunity to complicate, enrich, and expand theorization of childhood creativity, children’s culture, and even children themselves.
None
None
A third-grade reader with stories, articles, poems, plays, and such skill lessons as using similes and metaphors and making mental pictures.
A young black poet expresses her anger at ghetto life as well as her compassion for those who seek to escape its pain.
A collection of poems by African-American writers.