Welcome to our book review site www.go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
THE WINDOWS IN OUR HOUSE ARE LITTLE DOORS
Yasi, Rasa and Ta are three restless children who live modest lower-middle-class lives at the edge of town, but their imaginations gleam with threads of many colours. Bored bicycles move away from their owners in the hope of being stolen ... A light bulb in a sari shop mischievously switches itself on and off ... Chalk doodles squirm and squiggle when adults are in the room ... Sandals lying by the door plead to be worn ... The adults who play their games must enter many worlds -- the one that prevails and the ones that are possible. They mumble and ask questions, but time and again they realize that a single glance won't take in the whole sky. In The Windows in Our House Are Little Doors, Vinod Kumar Shukla unrolls dreamy wisdom and brocade-like moments that catch the light and dazzle. This 'novel in twenty-six stories' is a thing of sublime joy and pure delight.
Yasi Rasa Ta
In this story of three cousins, Vinod Kumar Shukla has introduced the meagre material culture of Chhatisgarh villages illuminated by Yasi, Rasa and Ta's sense of wonder about their parents' existence and the world at large. It is a children's book because the narrative is simple. It is a poet's book because each object - chappal, ghada, katori, phugga - seems more than itself, full of primal sounds and dipped in the mystery of 'being'.The exquisite beauty of the text reminds one of Saint-Exupery's Little Prince. It can become a source of wonder for both children and adults around the world.A dream of small-scale harmony against a cosmic backdrop.
Once It Flowers
A thunderstorm blows the roof off a village school. Guruji, the school teacher, who lives in the school building with his family, is forced to seek shelter in an abandoned police station. The schoolhouse opens to the sky, and along with it, this intensely poetic novel opens up to the inner world of a dozen characters: Guruji, his wife, their two children, the village watchman, the tailor, the teashop owner at the railway station and the stationmaster. There is also the worldly-wise grocer, Jivrakhan, and his wife, who listens to the radio because nothing else will fill the emptiness in her life. A dreamlike novel that is an extraordinary evocation of modern India.
Upanyāsakāra Vinoda Kumāra Śukla
Study on the novels of Vinoda Kumāra Śukla, b. 1937, Hindi author.
Khilega To Dekhenge
‘खिलेगा तो देखेंगे’ विनोद कुमार शुक्ल का बहुत चर्चित उपन्यास है। आदिवासी जीवन और परिवेश के दृश्यों में रचे-बसे इस उपन्यास में भी विनोद कुमार शुक्ल की वह कथा-शैली देखने को मिलती है जो उनका अपना आविष्कार है। बिना किसी ठोस कथा-सूत्र के ‘खिलेगा तो देखेंगे’ एक सामूहिक जीव...
A Window Lived in a Wall
Vinod Kumar ShuklaýS Apparently Slight Novel Reaches Into The Depth Of Feeling Raghuvar Prasad And His Wife Sonsi Have For One Another And For The World Of Lower Middle Class Neighbours Among Whom They Belong. Their Possessions Are Meagre: The Single Room Barely Accomodates Their Bed, The Water Pot, The Kitchen Utensils And The Tin Box In Which Sonsi Keeps Her Precious Things. But There Is A Magical Place Beyond The Window Which Sustains Raghuvar PrasadýS And SonsiýS Spirit. This Window Lived In A Wall.
Sab Kuchh Hona Bacha Rahega
सब कुछ होना बचा रहेगा यह कविता-संग्रह में वह दृष्टि है जो समय को झरती हुई पत्तियों की जगह फूटती हुई कोंपलों में देखने का हौसला रखती है। विनोद कुमार शुक्ल की कविताएँ शब्दों को ध्वजा की तरह फहरानेवाली कविताएँ नहीं हैं। अनुभवों को हमारे पास छोड़कर स्वयं अदृश्य हो जानेवाल...
The Politics of Modern Indian Language Literature
Indian literature is produced in a wealth of languages but there is an asymmetry in the exposure the writing gets, which owes partly to the politics of translation into English. This book represents the first comprehensive political scrutiny of the concerns and attitudes of Indian language literature after 1947 to cover such a wide range, including voices from the cultural margins of the nation like Kashmiri and Manipuri, that of women alongside those of minority and marginalised communities. In examining the politics of the writing especially in relation to concerns like nationhood, caste, tradition and modernity, postcoloniality, gender issues and religious conflict, the book goes beyond the declared ideology of each writer to get at covert significations pointing to widely shared but often unacknowledged biases. The book is deeply analytical but lucid and jargon-free and, to those unfamiliar with the writers, it introduces a new keenness into Indian literary criticism to make its objects exciting.
Postmodern Traces and Recent Hindi Novels
Postmodernism is a notoriously elusive concept and still the object of critical debates among scholars across a range of different disciplines. In literature, in particular, these debates are complicated by “postmodern” styles emanating from outside the concept’s Western origins. By analyzing contemporary Hindi novels, and drawing on both Western and Hindi literary criticism, "Postmodern Traces and Recent Hindi Novels" aims to understand some of the manifestations of postmodernism in contemporary Hindi fiction, including ways the latter might challenge the traditional parameters of postmodern literature. This book is essential reading for scholars and students specializing in South Asian studies and both postcolonial and comparative literature. It will also interest the general reader curious to know more about one of the less explored areas of world literature.
Imagining Indianness
This book brings together several important essays examining the interface between identity, culture, and literature within the issue of cultural identity in South Asian literature. The book explores how one imagines national identity and how this concept is revealed in the narratives of the nation and the production of various cultural discourses. The collection of essays examines questions related to the interpretation of the Indian past and present, the meanings of ancient and venerated cultural symbols in ancient times and modern, while discussing the ideological implications of the interpretation of identity and “Indianness” and how they reflect and influence the power-structures of contemporary societies in South Asia. Thus, the book studies the various aspects of the on-going process of constructing, imagining, re-imagining, and narrating “Indianness”, as revealed in the literatures and cultures of India.
