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This second volume of a trilogy provides the first comprehensive account of the economic, social, religious and intellectual world 13th and 14th century Sienese painters.
In Art as Politics in Late Medieval and Renaissance Siena, contributors explore the evolving relationship between image and politics in Siena from the time of the city-state's defeat of Florence at the Battle of Montaperti in 1260 to the end of the Sienese Republic in 1550. Engaging issues of the politicization of art in Sienese painting, sculpture, architecture, and urban design, the volume challenges the still-prevalent myth of Siena's cultural and artistic conservatism after the mid fourteenth century. Clearly establishing uniquely Sienese artistic agendas and vocabulary, these essays broaden our understanding of the intersection of art, politics, and religion in Siena by revisiting its medieval origins and exploring its continuing role in the Renaissance.
Through a close study of local demographies and topographies, this study considers patterns of piety, charity and patronage, and by extension, the development of art and architecture in Siena's southern contado during the thirteenth and fourteenth centuries. Garrisoning the Borderlands of Medieval Siena describes Sant'Angelo in Colle as a designated 'castello di frontiera' under the Sienese Government of the Nine (1287-1355), against the background of Siena's military and economic buoyancy during the early fourteenth century. At the same time, mining thoroughly the Tax Record of 1320 and the Boundary Registration of 1318 and presenting a large number of individual records that have not been ...
The history of the medieval towns of northern and central Italy opens a window onto the concerns of urban elites throughout the medieval world regarding the environment and quality of life. In Straws in the Wind the authors demonstrate that legislative efforts to control the environment were neither haphazard nor accidental. Rather, they were ratio
Plague and Pleasure is a lively popular history that introduces a new hypothesis about the impetus behind the cultural change in Renaissance Italy. The Renaissance coincided with a period of chronic, constantly recurring plague, unremitting warfare and pervasive insecurity. Consequently, people felt a need for mental escape to alternative, idealized realities, distant in time or space from the unendurable present but made vivid to the imagination through literature, art, and spectacle.
New to the "Problems in European Civilization" series, this is the only text to contain secondary sources on the Black Death. The essays—organized by cultural, municipal, and medical reaction to the disease—are preceded by helpful introductions to provide students with a context for each source. The text features the latest in scholarship and a flexible format that allows instructors to assign those essays and sections that best suit course needs.
Includes entries for maps and atlases.
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Books recommended for undergraduate and college libraries listed by Library of Congress Classification Numbers.