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Galileo’s Thinking Hand
Contemporary biographies of Galilei emphasize, in several places, that he was a masterful draughtsman. In fact, Galilei studied at the art academy, which is where his friendship with Ludovico Cigoli developed, who later became the official court artist. The book focuses on this formative effect – it tracks Galilei’s trust in the epistemological strength of drawings. It also looks at Galilei’s activities in the world of art and his reflections on art theory, ending with an appreciation of his fame; after all, he was revered as a rebirth of Michelangelo. For the first time, this publication collects all aspects of the appreciation of Galilei as an artist, contemplating his art not only as another facet of his activities, but as an essential element of his research.
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Galileo in Rome
Galileo's trial by the Inquisition is one of the most dramatic incidents in the history of science and religion. Today, we tend to see this event in black and white--Galileo all white, the Church all black. Galileo in Rome presents a much more nuanced account of Galileo's relationship with Rome. The book offers a fascinating account of the six trips Galileo made to Rome, from his first visit at age 23, as an unemployed mathematician, to his final fateful journey to face the Inquisition. The authors reveal why the theory that the Earth revolves around the Sun, set forth in Galileo's Dialogue, stirred a hornet's nest of theological issues, and they argue that, despite these issues, the Church ...
