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"Winifred E. Howe's 1913 account of The Metropolitan Museum of Art's history, its founders, and trustees communicates the remarkable circumstances that led to the Museum's transformation into one of the most prestigious art museums in the world. The history begins with an account of the earliest art institutions of New York City (such as the Tammany Society and the New York Academy of Fine Arts) and goes on to describe the Museum's period of organization following the end of the Civil War. Howe details the movement of the Museum from its original downtown building to its current location in Central Park, the museum building's construction and subsequent additions, the organization of the museum's administration, and the continued expansion of the museum through the presidency of J. Pierpont Morgan"--Metropolitan Museum of Art website.
Winifred E. Howe's 1913 account of The Metropolitan Museum of Art's history, its founders, and trustees communicates the remarkable circumstances that led to the Museum's transformation into one of the most prestigious art museums in the world. The history begins with an account of the earliest art institutions of New York City (such as the Tammany Society and the New York Academy of Fine Arts) and goes on to describe the Museum's period of organization following the end of the Civil War. Howe details the movement of the Museum from its original downtown building to its current location in Central Park, the museum building's construction and subsequent additions, the organization of the museum's administration, and the continued expansion of the museum through the presidency of J. Pierpont Morgan.
"[The present volume] provides a selection from more than sixty-five texts tracing the development of this important area of conservation. The texts range chronologically from antiquity to the present day. They cover a wide range of subjects, including philosophies of preventive conservation, early traditions of housekeeping, the museum environment, relative humidity and temperature, pollution, biodeterioration, and light. There is also a generous selection of readings discussing future trends"--P. [4] of cover.
With the development of institutions displaying natural science, history, and art in the late 19th century came the debates over the role of these museum in society. This anthology collects 50 of the most important writings on museum philosophy dating from this formative period, written by the many of the American and European founders of the field. Genoways and Andrei contextualize these pieces with a series of introductions showing how the museum field developed within the social environment of the era. For those interested in museum history and philosophy or cultural history, this is an essential resource.