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Persian Art
In this illustrated book, nine contributors explore multifaceted aspects of art, architecture and material culture of the Persian cultural realm, encompassing West Asia, Anatolia, Central Asia, South Asia, East Asia and Europe. Each chapter examines the historical, religious or scientific role of visual culture in the shaping, influencing and transforming of distinctive 'Persian' aesthetics across the various historical periods, ranging from pre-Islamic, medieval and early modern Islamic to modern times.
The Shaping of Persian Art
While the impact of the Persian style is undeniably reflected in most aspects of the art and architecture of Islamic Central Asia, this Perso-Central Asian connection was chiefly formed and articulated by the Euro-American movement of collecting and interpreting the art and material culture of the Persian Islamic world in modern times. This had an enormous impact on the formation of scholarship and connoisseurship in Persian art, for instance, with an attempt to define the characteristics of how the Islamic art of Iran and Central Asia should be viewed and displayed at museums, and how these subjects should be researched in academia. This important historical fact, which has attracted schola...
Mina'i Ware
Mina'i, or polychrome overglaze, ware was made in Iran between the late 12th and the early 13th centuries. However, most pieces in museums have in fact been rebuilt, often from pieces of multiple different vessels with extensive plaster fill and modern overpaint. Only by closely examining unrestored archaeological sherds - genuine fragments of pots - can we build an authentic picture of what mina'i ware actually looked like. In this innovative book, Richard P. McClary studies sherds in collections around the world to help us to understand the production, decoration and distribution of the wares. He then examines the increased popularity of mina'i ware from the late-19th to the mid-20th century, with a focus on the dealers, collectors and curators, as well as the various types of faking, restoration, repair and conservation that has occurred over the last century.
ANNALS OF TRANSCULTURAL HISTORY OF ART
This book, grounded in a broad cross-regional and transcultural perspective, explores the cultural contexts, generative mechanisms, artistic forms, and ontological characteristics of art globally. It examines the complex interactions between diverse cultures and artistic traditions, offering insights into how these relationships have shaped artistic expression throughout history. The book is organized into three key sections. The Methodological Perspectives section highlights an integrated transcultural approach to art history, merging Eurasian art histories to present a holistic view. Ornament, Object, and Material Culture focuses on micro-level case studies within material culture, particu...
The Historiography of Persian Architecture
Historiography is the study of the methodology of writing history, the development of the discipline of history, and the changing interpretations of historical events in the works of individual historians. Exploring the historiography of Persian art and architecture requires a closer look at a diverse range of sources, including chronicles, historical accounts, travelogues, and material evidence coming from archaeological excavations. The Historiography of Persian Architecture highlights the political, cultural, and intellectual contexts that lie behind the written history of Persian architecture in the twentieth century, presenting a series of investigations on issues related to historiogra...
Asia Inside Out
In the final volume of Asia Inside Out, a stellar interdisciplinary team of scholars shows the ways that itinerant groups criss-crossing the continent have transformed their culture and surroundings. Going beyond time and place, which animated the first two books, this third one looks at human beings on the move.
Islamic Chinoiserie
The Mongol invasion in the thirteenth century marked a new phase in the development of Islamic art. Trans-Eurasian exchanges of goods, people and ideas were encouraged on a large scale under the auspices of the Pax Mongolica. With the fascination of portable objects brought from China and Central Asia, a distinctive, hitherto unknown style - Islamic chinoiserie - was born in the art of Iran.Highly illustrated, Islamic Chinoiserie offers a fascinating glimpse into the artistic interaction between Iran and China under the Mongols. By using rich visual materials from various media of decorative and pictorial arts - textiles, ceramics, metalwork and manuscript painting - the book illustrates the...
Cold War Art Worlds
During the Cold War, the Central-European capital city Prague, along with other previously less noticed locations in the polarised post-war world, emerged as a key site where an art world of particular importance for artists from South Asia developed. By emphasising cultural mobility as a catalyst for exchange and network building, this book challenges and complicates assumptions about Cold War binaries of East and West and the polarisation between so-called totalitarian regimes and free cultures. Positioning Prague as a nexus where South-Asian modernisms intersected with multiple peoples, histories, and ideologies in the post-World War II era, it offers a narrative of decolonisation that rejected rigid systemic alignment in favour of participation across blocs by prioritising migratory aesthetics over nationalist parochialism. Well-researched and rich in archival materials, this book proposes new ways of writing art histories and makes a significant contribution to both Cold War studies and critical global modernism studies.
Islamic Chinoiserie
This illustrated book aims to provide a fresh insight into medieval Islamic art through the prism of Chinese elements in Iranian art under the Mongols.
Arthur Upham Pope and a New Survey of Persian Art
In Arthur Upham Pope and A New Survey of Persian Art, fourteen scholars explore the legacy of Arthur Upham Pope (1881-1969) by tracing the formation of Persian art scholarship and connoisseurship during the twentieth century. Widely considered as a self-made scholar, curator, and entrepreneur, Pope was credited for establishing the basis of what we now categorize broadly as Persian art. His unrivalled professional achievement, together with his personal charisma, influenced the way in which many scholars and collectors worldwide came to understand the art, architecture and material culture of the Persian world. This ultimately resulted in the establishment of the aesthetic criteria for assessing the importance of cultural remains from modern-day Iran. With contributions by Lindsay Allen, Sheila S. Blair, Jonathan M. Bloom, Talinn Grigor, Robert Hillenbrand, Yuka Kadoi, Sumru Belger Krody, Judith A. Lerner, Kimberly Masteller, Cornelia Montgomery, Bernard O'Kane, Keelan Overton, Laura Weinstein, and Donald Whitcomb.
