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The International Conference on Energy, Environment and Materials Science (EEMS2015) was held in Guangzhou, China, from August 25 - 26, 2015. EEMS2015 provided a platform for academic scientists, researchers and scholars to exchange and share their experiences and research results within the fields of energy science, energy technology, environmental science, environmental engineering, motivation, automation and electrical engineering, material science and engineering, the discovery or development of energy, and environment and materials science.
Mou Zongsan 牟宗三 (1909-1995) was the theoretical genius behind New Confucianism, a philosophical and cultural movement marking the revival of Ruxue in Asia and Northern America since the late 1970s. This book is the first thorough study in English of Mou’s multi-faceted and complex system. It examines the key influences of Xiong Shili 熊十力 (1885-1968), G. W. F. Hegel (1770-1831), and Immanuel Kant (1724-1804) on the Chinese thinker and presents his thought as a contemporary moral metaphysical recasting of the Lu-Wang Learning of the Mind using Mahāyāna Fo paradigms and Kantian terminology. The study also reveals the strong Han cultural nationalism entwined with Mou’s philosophical system and looks at how his thought has been received.
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An authoritative look at recent developments in China’s approach to educating its young--and what it means for the rest of the world Covering psychological ideology, moral education, and current reforms, The History of Chinese Modern Educational Thought summarizes recent developments in Chinese education practices. It introduces the phases of contemporary educational thought in China--the start-up period, the exploration period, the chaotic period, the reconstruction period, and the development period--and discusses the educational ideals held by leaders of three generations in the country: Mao Zedong, Deng Xiaoping, and Jiang Zemin. Zhu Yongxin (Beijing, China) is a member of National People's Congress Standing Committee, vice chairman of Association for Promoting Democracy (CAPD), and vice president of Chinese Society of Education (CSE). He also works as a professor and PhD supervisor in Suzhou University.
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This volume investigates the artistic development during the Qing Dynasty, the last of imperial Chinese dynasties, and shows the importance of opera and playwriting during this time period. Further analysis is dedicated to the development of scroll painting and the revival of calligraphy and seal carving. A General History of Chinese Art comprises six volumes with a total of nine parts spanning from the Prehistoric Era until the 3rd year of Xuantong during the Qing Dynasty (1911). The work provides a comprehensive compilation of in-depth studies of the development of art throughout the subsequent reign of Chinese dynasties and explores the emergence of a wide range of artistic categories such as but not limited to music, dance, acrobatics, singing, story telling, painting, calligraphy, sculpture, architecture, and crafts. Unlike previous reference books, A General History of Chinese Art offers a broader overview of the notion of Chinese art by asserting a more diverse and less material understanding of arts, as has often been the case in Western scholarship.
Since the first century, when Buddhism entered China, the foreign religion has influenced and been influenced in turn by traditional Chinese culture, and eventually became an important part of it. That is one of the great historical themes not only for China but also for East Asia. This book explores the elements of Buddhism, including its classics, doctrines, system, and rituals, to reveal the basic connotation of Buddhism as a cultural entity. Regarding the development of Buddhism in China, it traces the spread in chronological order, from the introduction in Han Dynasties (202 BC–220 AD), to the prosperity in the Sixteen Kingdoms (ca. 304–439 AD), and then to the decline since the Fiv...
"Bibliography of publications based upon collections made with the support of the Swedish China research committee, by Fr. E. Åhlander": Bulletin no. 1, p. 185-191.