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This book reveals the extensive and dynamic interplay between Les Tentations de saint Antoine and the rest of Flaubert’s fiction. Mary Neiland combines two critical approaches, genetic and intertextual criticism, in order to trace the development of selected topoi and figures across the three versions of La Tentation and on through Flaubert’s other major works. Each chapter is devoted to one of these centres of interest, namely, the banquet scene, the cityscape, the crowd, the seductive female and the Devil. Detailed study of these five areas exposes a remarkable intimacy between writings that appear at a far remove from each other. The networks of recurring images located demonstrate for the first time the obsessive nature of Flaubert’s writing practice; the pursuit of these networks across his fictional writings exposes his developing technique; and La Tentation is revealed as both a privileged moment of expression and as a place of auto-reflection. This volume will be of interest to students and specialists of Flaubert as well as to those interested in genetic and intertextual criticism.
"While, from the outside, Joyce studies might appear monolithic, from within, it is manifold, divergent, and lively. The sixteen essays in this volume indicate an expanded and interconnected conversation that brings into relation hitherto distant locales and types of criticism. Taking European, African, Latin American, trans-continental and global perspectives, these essays work within and between a range of critical approaches and vantage points. Many of them engage in new ways with the discussions of Irish history and politics begun by in the mid-nineties by scholars such as Emer Nolan, Vincent J. Cheng, Marjorie Howes, and Derek Attridge. These historical and political concerns have continued to bear fruit in recent years, as evidenced by works by Cheng, Luke Gibbons, and Andrew Gibson. Several of the essays in this volume bring these concerns into relation with issues such as queerness, race, and transnational literary relations. Others examine issues of composition and publication, copyright law, translation, and the history of modernist criticism"--
"This work examines the genetic processes that shaped two of the great literary masterpieces of modernity: Flaubert's ""L'Education Sentimentale"" and Proust's ""A la Recherche de Temps Perdu"". A detailed investigation of Flaubert's notebooks and scenarios from 1864 and 1869 and Proust's ""Cahiers"" from 1908 to 1911 reveals the almost diametrically opposed ways in which the two novels evolved in their early stages."
This comprehensive reference begins with an introductory chapter that overviews Flaubert's life and career. A detailed summary of the novel's plot is followed by a close examination of the novel's genesis, its publication history, and the merits of various editions and translations. Later chapters discuss the social and cultural contexts informing the work, Flaubert's literary craftsmanship, and the novel's critical reception. The volume concludes with extensive bibliographic information. Flaubert's determination to achieve stylistic and structural perfection led to the creation of his masterpiece, Madame Bovary. The achievement was long considered the exemplary novel in Western literature, and writers remain deeply indebted to its legacy.
Esquisses/ébauches assembles a cast of international scholars to debate the role of the esquisse (the sketch) and the ébauche (the lay-in or the draft) in the works of key nineteenth-century French writers and artists. These new readings, with their wide-ranging approaches to the question of the finished work, uncover a cultural context in which forms of the unfinished become privileged and highlight both the existence of an esthetic of the unfinished and an emerging poetics of process.
This book examines the relationship between description and signification in three novels by Flaubert: Madame Bovary, Salammbô, and L'Education Sentimentale. Contrary to thematic or structuralist criticism, this study demonstrates how Flaubert's images fluctuate between the possibility of a mimetic or symbolic integration into the narrative continuity, and a resistance to interpretation which anticipates the modern self-referential novel. This critical analysis shows how Flaubert's descriptive passages are subject to various possibilities of meaning and non-meaning that disorient the readers by exposing them to ambiguous and unexpected forms of fictional discourse.
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Discusses the life and writings of Gustave Flaubert, 19th century French novelist. Includes critical reviews of his major works.